thanks to
germtz
rikigo
pencom
remy . m
a stranger here
you never give me your money
intro : Am7 Dm G C Fmaj7 Dm6 E7 Am
Am7 Dm
you never give me your money
G C
you only give me your funny paper
Fmaj7 Dm6 E7
and in the middle of ne – go – ti – A – tions
Am
you break down
Am7 Dm
i never give you my number
G C
i only give you my situation
Fmaj7 Dm6 E7
and in the middle of in – vest – ig – A – tion
Am C G7 C
i break down
C E7
out of college , money spent
Am C7
see no future , pay no rent
F G C
all the money’s gone , nowhere to go
C E7
any jobber got the sack
Am C7
monday morning , turning back
F G C
yellow lorry slow , nowhere to go
A# F C
but oh , that magic feeling , nowhere to go
A# F
oh , that magic feeling
C
nowhere to go
A7
nowhere to go
B7
one sweet dream
C E7 A7
pick up the bags and get in the limousine
D7 G7
soon we’ll be away from here
D7 G7 A
step on the gas and wipe that tear away
B7 Cmaj7 G A
one sweet dream came true . . . today
G A
came true . . . today
G A
came true . . . today . . . yes it did
C
one two three four five six seven ,
A
all good children go to heaven .
sun king
intro :
| E | E | E | E |
| F#m7 | F#m7 B6 | E6 | E | ( x3 )
F/G
ah . . . . . . .
chorus :
C Cmaj7 Gm7 A7
here come the sun king ,
C Cmaj7 Gm7 A7 F
here come the sun king ,
F D7 F
everybody’s laughing ,
F D7
everybody’s happy ,
C Em7 C7 F
here come the sun king
verse 1 :
F#m7 B6 E6 E
quando para mucho mia more defelice carafon ,
F#m7 B6 E6 E
mundo paparazzi miamore chicka ferdy parasol ,
F#m7 B6 E6 E6 ( arpeggio )
cuesto obrigado tanta mucho que can eat it carousel .
mean mr . mustard
E E7
mean mr mustard sleeps in the park
E
shaves in the dark , trying to save paper
B B7 C7 C#7 D7
sleeps in a hole in the road
D D7 C#7 C7 B7
saving up to buy his new clothes
B
keeps a ten bob note up his nose
E C7 B7 E C7 B7
such a mean old man , mean old man
E E7
his sister pam works in a shop
E
she never stops she’s a go – getter
B B7 C7 C#7 D7
takes him out to look at the queen
D7 C#7 C7 B7
only place that he’s ever been
always shouts out something obscene
E C7 B7 E C7 B7
such a dirty old man , dirty old man
B7 C7 C#7 D A E , D A E
[ E ] mean mr mustard sleeps [ E7 ] in the park
shaves in the [ E ] dark , trying to save paper
[ B ] sleeps in a hole in the road B7 C7 C#7 D7
saving up to buy his new clothes D7 C#7 C7 B7
keeps a ten bob note up his nose
such A [ E ] mean old [ C7 B7 ] man , [ E ] mean old [ C7 B7 ] man
[ E ] his sister pam works [ E7 ] in A shop
she never [ E ] stops she’s a go – getter
[ B ] takes him out to look at the queen B7 C7 C#7 D7
only place that he’s ever been D7 C#7 C7 B7
always shouts out something obscene
such A [ E ] dirty old [ C7 B7 ] man , [ E ] dirty old [ C7 B7 ] man
B7 C7 C#7 D A E , D A E
polythene pam
D/E A E ( x 2 )
E D A E
well , you should see polythene pam
D A E
she’s so good looking but she looks like a man
G B
well , you should see her in drag , dressed in her polythene bag
C D E
yes , you should see polythene pam .
C D E
yeah , yeah , yeah
D/E A E ( x 2 )
get a dose of her in jackboots and kilt
she’s killer diller when she’s dressed to the hilt
she’s the kind of a girl that makes the _news of the world_
yes , you could say she was attractively built .
yeah , yeah , yeah
D/E A E ( x2 )
D A E ( x 9? )
[ geez , while i’m at it , here’s she came in through the bathroom window .
same source : ] ltrics corrected by charlie_gibbs@mindlink . bc . ca
A D
she came in through the bathroom window
A F#m D
protected by a silver spoon
A F#m D
but now she sucks her thumb and wonders
D7 A
by the banks of her own lagoon
( A ) Dm
didn’t anybody tell her?
A Dm
didn’t anybody see?
G7 C
sunday’s on the phone to monday
G7 C ( go to 2/4 for the C )
tuesday’s on the phone to me
she said she’d always been a dancer
worked in fifteen clubs a day
and though i thought i knew the answer
well , i knew but i could not say
so i quit the police department
and got myself a steady job
and though she tried her best to help me
she could steal but she could not rob
she came in through the bathroom window
A D
she came in through the bathroom window
A D
protected by a silver spoon
A D
but now she sucks her thumb and wonders
A
by the banks of her own lagoon
A Dm
didn’t anybody tell her?
A Dm
didn’t anybody see?
G7 C
sunday’s on the phone to monday
G7 C A
tuesday’s on the phone to me
A D
she said she’d always been a dancer
A D
she worked in fifteen clubs a day
A D
and though she thought i knew the answer
A
well , i knew but i could not say
A D
and so i quit the police department
A D
and got myself a steady job
A D
and though she tried her best to help me
A
she could steal but she could not rob
A Dm
didn’t anybody tell her?
A Dm
didn’t anybody see?
G7 C
sunday’s on the phone to monday
G7 C A
tuesday’s on the phone to me oh yea
golden slumbers
intro ( one measure )
( quietly )
– – – – – – – – – – – – – – – – – – – – – – – –
– – – – – – – – – – – – – – – – – – – – – – – –
0 – – – – – 0 – – – – – 0 – – – – – 0 – – – – –
– – – – – – – – – – – – – – – – – – – – – – – –
3 – – 0 – – 3 – – 0 – – 3 – – 0 – – 3 – – 0 – –
– – – – – – – – – – – – – – – – – – – – – – – –
1 & 2 & 3 & 4 &
– verse –
( quietly the 1st time , louder the 2nd time )
Am7 Dm7
once , there was a way_________ to get back homeward
G7 C
once , there was a way_________ to get back home
Em Am Dm9
sleep pretty darling , do not cry ,
G7 C
and i will sing a lullaby
– chorus –
( loudly )
C F C
gold – en slumbers fill your eyes
C F C
smiles awake you when you rise
Em Am Dm9
sleep pretty darling , do not cry ,
G7 C
and i will sing a lullaby
carry that weight
C G
boy , you’re gonna to carry that weight
C
carry that weight a long time .
G
boy , you’re gonna to carry that weight
C
carry that weight a long time .
Am7 Dm7 Dm G Csus4 C Fmaj7 Dm E7
Am Dm7 Dm
i never give you my pil low
G C
i only send you my invitations
Fmaj7 Dm E7
and in the middle of the celebrations
Am G C G
i break down
C G
boy , you’re gonna to carry that weight
C
carry that weight a long time .
G
boy , you’re gonna to carry that weight
C A
carry that weight a long time .
C G A
the end
intro –
A D | B E | A D A
verse 1 –
A D B E
oh yeah all right
A D A7 D7
are you gonna be in my dreams tonight
A7 D7 A7 D7 A7 D7 A7 D7
love you love you love you love you love you love you love you love you
A7 D7 A7 D7 A7 D7 A7 D7
love you love you love you love you love you love you love you love you
A7 D7 A7 D7 A7 D7 A7 D7
love you love you love you love you love you love you love you love you
A7
love you love you .
piano link – | A | A | A | A | A | A | A | A | A
outro –
A G
and in the end the love you make
F G7 C D C E A
is equal to the love you take
her majesty
D D/C# D/B Asus4
her majesty’s a pretty nice girl ,
E7 A D
but she doesn’t have a lot to say
walkup a string ( open , 2nd fret , 4th fret to open D string )
D D/C# D/B Asus4
her majesty’s a pretty nice girl ,
E7 A Asus4 A
but she changes from day to day
Bm Bsus2 ( x24422 )
i wanna tell her that i love her a lot ,
D7 G
but i gotta get a bellyfull of wine
slide to G ( 2x ) D B7
her majesty’s a pretty nice girl
E7 A D
someday , i’m gonna make her mine ,
B7 E7 A D
oh , yeah . . . someday , i’m gonna make her mine .
thanks to
germtz
rikigo
pencom
remy . m
a stranger here
you never give me your money
intro : Am7 Dm G C Fmaj7 Dm6 E7 Am
Am7 Dm
you never give me your money
G C
you only give me your funny paper
Fmaj7 Dm6 E7
and in the middle of ne – go – ti – A – tions
Am
you break down
Am7 Dm
i never give you my number
G C
i only give you my situation
Fmaj7 Dm6 E7
and in the middle of in – vest – ig – A – tion
Am C G7 C
i break down
C E7
out of college , money spent
Am C7
see no future , pay no rent
F G C
all the money’s gone , nowhere to go
C E7
any jobber got the sack
Am C7
monday morning , turning back
F G C
yellow lorry slow , nowhere to go
A# F C
but oh , that magic feeling , nowhere to go
A# F
oh , that magic feeling
C
nowhere to go
A7
nowhere to go
B7
one sweet dream
C E7 A7
pick up the bags and get in the limousine
D7 G7
soon we’ll be away from here
D7 G7 A
step on the gas and wipe that tear away
B7 Cmaj7 G A
one sweet dream came true . . . today
G A
came true . . . today
G A
came true . . . today . . . yes it did
C
one two three four five six seven ,
A
all good children go to heaven .
sun king
intro :
| E | E | E | E |
| F#m7 | F#m7 B6 | E6 | E | ( x3 )
F/G
ah . . . . . . .
chorus :
C Cmaj7 Gm7 A7
here come the sun king ,
C Cmaj7 Gm7 A7 F
here come the sun king ,
F D7 F
everybody’s laughing ,
F D7
everybody’s happy ,
C Em7 C7 F
here come the sun king
verse 1 :
F#m7 B6 E6 E
quando para mucho mia more defelice carafon ,
F#m7 B6 E6 E
mundo paparazzi miamore chicka ferdy parasol ,
F#m7 B6 E6 E6 ( arpeggio )
cuesto obrigado tanta mucho que can eat it carousel .
mean mr . mustard
E E7
mean mr mustard sleeps in the park
E
shaves in the dark , trying to save paper
B B7 C7 C#7 D7
sleeps in a hole in the road
D D7 C#7 C7 B7
saving up to buy his new clothes
B
keeps a ten bob note up his nose
E C7 B7 E C7 B7
such a mean old man , mean old man
E E7
his sister pam works in a shop
E
she never stops she’s a go – getter
B B7 C7 C#7 D7
takes him out to look at the queen
D7 C#7 C7 B7
only place that he’s ever been
always shouts out something obscene
E C7 B7 E C7 B7
such a dirty old man , dirty old man
B7 C7 C#7 D A E , D A E
[ E ] mean mr mustard sleeps [ E7 ] in the park
shaves in the [ E ] dark , trying to save paper
[ B ] sleeps in a hole in the road B7 C7 C#7 D7
saving up to buy his new clothes D7 C#7 C7 B7
keeps a ten bob note up his nose
such A [ E ] mean old [ C7 B7 ] man , [ E ] mean old [ C7 B7 ] man
[ E ] his sister pam works [ E7 ] in A shop
she never [ E ] stops she’s a go – getter
[ B ] takes him out to look at the queen B7 C7 C#7 D7
only place that he’s ever been D7 C#7 C7 B7
always shouts out something obscene
such A [ E ] dirty old [ C7 B7 ] man , [ E ] dirty old [ C7 B7 ] man
B7 C7 C#7 D A E , D A E
polythene pam
D/E A E ( x 2 )
E D A E
well , you should see polythene pam
D A E
she’s so good looking but she looks like a man
G B
well , you should see her in drag , dressed in her polythene bag
C D E
yes , you should see polythene pam .
C D E
yeah , yeah , yeah
D/E A E ( x 2 )
get a dose of her in jackboots and kilt
she’s killer diller when she’s dressed to the hilt
she’s the kind of a girl that makes the _news of the world_
yes , you could say she was attractively built .
yeah , yeah , yeah
D/E A E ( x2 )
D A E ( x 9? )
[ geez , while i’m at it , here’s she came in through the bathroom window .
same source : ] ltrics corrected by charlie_gibbs@mindlink . bc . ca
A D
she came in through the bathroom window
A F#m D
protected by a silver spoon
A F#m D
but now she sucks her thumb and wonders
D7 A
by the banks of her own lagoon
( A ) Dm
didn’t anybody tell her?
A Dm
didn’t anybody see?
G7 C
sunday’s on the phone to monday
G7 C ( go to 2/4 for the C )
tuesday’s on the phone to me
she said she’d always been a dancer
worked in fifteen clubs a day
and though i thought i knew the answer
well , i knew but i could not say
so i quit the police department
and got myself a steady job
and though she tried her best to help me
she could steal but she could not rob
she came in through the bathroom window
A D
she came in through the bathroom window
A D
protected by a silver spoon
A D
but now she sucks her thumb and wonders
A
by the banks of her own lagoon
A Dm
didn’t anybody tell her?
A Dm
didn’t anybody see?
G7 C
sunday’s on the phone to monday
G7 C A
tuesday’s on the phone to me
A D
she said she’d always been a dancer
A D
she worked in fifteen clubs a day
A D
and though she thought i knew the answer
A
well , i knew but i could not say
A D
and so i quit the police department
A D
and got myself a steady job
A D
and though she tried her best to help me
A
she could steal but she could not rob
A Dm
didn’t anybody tell her?
A Dm
didn’t anybody see?
G7 C
sunday’s on the phone to monday
G7 C A
tuesday’s on the phone to me oh yea
golden slumbers
intro ( one measure )
( quietly )
– – – – – – – – – – – – – – – – – – – – – – – –
– – – – – – – – – – – – – – – – – – – – – – – –
0 – – – – – 0 – – – – – 0 – – – – – 0 – – – – –
– – – – – – – – – – – – – – – – – – – – – – – –
3 – – 0 – – 3 – – 0 – – 3 – – 0 – – 3 – – 0 – –
– – – – – – – – – – – – – – – – – – – – – – – –
1 & 2 & 3 & 4 &
– verse –
( quietly the 1st time , louder the 2nd time )
Am7 Dm7
once , there was a way_________ to get back homeward
G7 C
once , there was a way_________ to get back home
Em Am Dm9
sleep pretty darling , do not cry ,
G7 C
and i will sing a lullaby
– chorus –
( loudly )
C F C
gold – en slumbers fill your eyes
C F C
smiles awake you when you rise
Em Am Dm9
sleep pretty darling , do not cry ,
G7 C
and i will sing a lullaby
carry that weight
C G
boy , you’re gonna to carry that weight
C
carry that weight a long time .
G
boy , you’re gonna to carry that weight
C
carry that weight a long time .
Am7 Dm7 Dm G Csus4 C Fmaj7 Dm E7
Am Dm7 Dm
i never give you my pil low
G C
i only send you my invitations
Fmaj7 Dm E7
and in the middle of the celebrations
Am G C G
i break down
C G
boy , you’re gonna to carry that weight
C
carry that weight a long time .
G
boy , you’re gonna to carry that weight
C A
carry that weight a long time .
C G A
the end
intro –
A D | B E | A D A
verse 1 –
A D B E
oh yeah all right
A D A7 D7
are you gonna be in my dreams tonight
A7 D7 A7 D7 A7 D7 A7 D7
love you love you love you love you love you love you love you love you
A7 D7 A7 D7 A7 D7 A7 D7
love you love you love you love you love you love you love you love you
A7 D7 A7 D7 A7 D7 A7 D7
love you love you love you love you love you love you love you love you
A7
love you love you .
piano link – | A | A | A | A | A | A | A | A | A
outro –
A G
and in the end the love you make
F G7 C D C E A
is equal to the love you take
her majesty
D D/C# D/B Asus4
her majesty’s a pretty nice girl ,
E7 A D
but she doesn’t have a lot to say
walkup a string ( open , 2nd fret , 4th fret to open D string )
D D/C# D/B Asus4
her majesty’s a pretty nice girl ,
E7 A Asus4 A
but she changes from day to day
Bm Bsus2 ( x24422 )
i wanna tell her that i love her a lot ,
D7 G
but i gotta get a bellyfull of wine
slide to G ( 2x ) D B7
her majesty’s a pretty nice girl
E7 A D
someday , i’m gonna make her mine ,
B7 E7 A D
oh , yeah . . . someday , i’m gonna make her mine .
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