silverstein
“departures ( acoustic ) ”
this is how the wind shifts ( deluxe edition )
capo 1
standard tuning
note : both the original and the acoustic versions have the
same key signatures .
intro : Am
Am G F
i’m dying here before your eyes inside of darken circles
C Am G F C
i’m afraid of savage things i fought to keep away
Am G F C Am
before i found out just what i found that i knew you’d become
G F G# – – G
now you know the things i’m running from . . .
C
you could help me hide
F Am
in the places i once lived and lost the one
G# G C
now you know the things i’m running from . . .
F C
now you know the things i’m running from . . .
Am – – G Csus4 F
you’re killing me kid , but i know your intentions are good
Am G F
i read what you wrote out , asked me to slow down , i should
Am G Csus4 F
i think you’re trying to make it seem like it never could’ve meant enough
Am G F
but what i’m hearing you say is that you’re running away ’cause it meant too much
Am – – G Csus4 F
so this isn’t easy , i know the weather here number is best
Am G F
san francisco got cold as i read your note walking van next to oak
Dm C
you said i guess i’ll be home soon but things will be different i’m sure
F Fm
so i thought that you should know if things are gonna change when you come home
Am
maybe this time don’t . . .
silverstein
“departures ( acoustic ) ”
this is how the wind shifts ( deluxe edition )
capo 1
standard tuning
note : both the original and the acoustic versions have the
same key signatures .
intro : Am
Am G F
i’m dying here before your eyes inside of darken circles
C Am G F C
i’m afraid of savage things i fought to keep away
Am G F C Am
before i found out just what i found that i knew you’d become
G F G# – – G
now you know the things i’m running from . . .
C
you could help me hide
F Am
in the places i once lived and lost the one
G# G C
now you know the things i’m running from . . .
F C
now you know the things i’m running from . . .
Am – – G Csus4 F
you’re killing me kid , but i know your intentions are good
Am G F
i read what you wrote out , asked me to slow down , i should
Am G Csus4 F
i think you’re trying to make it seem like it never could’ve meant enough
Am G F
but what i’m hearing you say is that you’re running away ’cause it meant too much
Am – – G Csus4 F
so this isn’t easy , i know the weather here number is best
Am G F
san francisco got cold as i read your note walking van next to oak
Dm C
you said i guess i’ll be home soon but things will be different i’m sure
F Fm
so i thought that you should know if things are gonna change when you come home
Am
maybe this time don’t . . .
