this is the basic chord progression that i figured out . ( a hint to help you figure this
is that the beginning is the same as the ending played in reverse , which means you can
the chords backwards in one part to figure out the other one . ) ( ( i know some of my chords
not agree with that theory , but this is probably the most basic way you’ll find to
it . ) )
nude is in the key of E major .
intro : Am Em Am Em
Aadd9 C#m7
oooooooooooooooooooo . . . x2
Aadd9 G#m
G#m G#
don’t get any big ideas ,
A E C#m B
they’re not gunna happen .
G#m G#
you paint yourself white and fill up with noise
A E C#m B
there’ll be something missing .
G#m7 Aadd9
now that you’ve found it , it’s gone .
G#m7 Aadd9
now you feel it , you don’t .
C#m
you’ve gone off the rails .
G#m G#
so don’t get any big ideas
A E C#m B
they’re not gunna happen .
G#
ooooooooo . . . you’ll go to hell
A E C#m B
for what your dirty mind is thinking .
G#m7 Aadd9
oooooooo . . . x2
C#m7 Aadd9
oooooooo . . .
E Am
ooooooooo . . . x2
C Cadd11 Am7 Am6
ooooooooo . . .
E
this is the basic chord progression that i figured out . ( a hint to help you figure this
is that the beginning is the same as the ending played in reverse , which means you can
the chords backwards in one part to figure out the other one . ) ( ( i know some of my chords
not agree with that theory , but this is probably the most basic way you’ll find to
it . ) )
nude is in the key of E major .
intro : Am Em Am Em
Aadd9 C#m7
oooooooooooooooooooo . . . x2
Aadd9 G#m
G#m G#
don’t get any big ideas ,
A E C#m B
they’re not gunna happen .
G#m G#
you paint yourself white and fill up with noise
A E C#m B
there’ll be something missing .
G#m7 Aadd9
now that you’ve found it , it’s gone .
G#m7 Aadd9
now you feel it , you don’t .
C#m
you’ve gone off the rails .
G#m G#
so don’t get any big ideas
A E C#m B
they’re not gunna happen .
G#
ooooooooo . . . you’ll go to hell
A E C#m B
for what your dirty mind is thinking .
G#m7 Aadd9
oooooooo . . . x2
C#m7 Aadd9
oooooooo . . .
E Am
ooooooooo . . . x2
C Cadd11 Am7 Am6
ooooooooo . . .
E
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