pink floyd , nobody home
a bit of a tidy up on previous versions where the chord changes weren’t in quite the
right positions , plus a bit of tweaking where a few chords were missing , i believe . i
particularly like to play this on piano too ( the intro is beautiful and isn’t hard to
work out ) . if playing on the piano , it sounds better if , after ” . . . powers of observation” and
” . . . nowhere to fly to” , you substitute A C/B for the E7 ( i . E . C , C/B , Am instead of C ,
E7 , Am ) . noodling around with a few embellishing runs sound great , even if they’re not
perfectly true to the original song .
intro
Am C+ C D7 F Fm
C
i’ve got a little black book with my poems in .
E E E7
got a bag with a toothbrush and a comb in .
F C F
when i’m a good dog , they sometimes throw me a bone in .
C
i got elastic bands keeping my shoes on .
E E E7
got those swollen hand blues .
F C
i got thirteen channels of shit on the t . v . to choose from .
C
i’ve got electric light .
C7
and i’ve got second sight .
F Fm C E7 Am
i got amazing powers of observation .
E7
and that is how i know
Am
when i try to get through
C D Fm6
on the telephone to you
C F C F
there’ll be nobody home .
C
i’ve got the obligatory hendrix perm .
E E E7
and the inevitable pinhole burns
F C F
all down the front of my favourite satin shirt .
C
i’ve got nicotine stains on my fingers .
E E E7
i’ve got a silver spoon on a chain .
F C
i’ve got a grand piano to prop up my mortal remains .
C
i’ve got wild staring eyes .
C7 F
and i’ve got a strong urge to fly .
Fm C E7 Am D7
but i got nowhere to fly to .
Am C D Fm6
ooooh , babe when i pick up the phone
C F C F
there’s still nobody home .
C
i’ve got a pair of gohills boots
E E7
and i got fading roots .
pink floyd , nobody home
a bit of a tidy up on previous versions where the chord changes weren’t in quite the
right positions , plus a bit of tweaking where a few chords were missing , i believe . i
particularly like to play this on piano too ( the intro is beautiful and isn’t hard to
work out ) . if playing on the piano , it sounds better if , after ” . . . powers of observation” and
” . . . nowhere to fly to” , you substitute A C/B for the E7 ( i . E . C , C/B , Am instead of C ,
E7 , Am ) . noodling around with a few embellishing runs sound great , even if they’re not
perfectly true to the original song .
intro
Am C+ C D7 F Fm
C
i’ve got a little black book with my poems in .
E E E7
got a bag with a toothbrush and a comb in .
F C F
when i’m a good dog , they sometimes throw me a bone in .
C
i got elastic bands keeping my shoes on .
E E E7
got those swollen hand blues .
F C
i got thirteen channels of shit on the t . v . to choose from .
C
i’ve got electric light .
C7
and i’ve got second sight .
F Fm C E7 Am
i got amazing powers of observation .
E7
and that is how i know
Am
when i try to get through
C D Fm6
on the telephone to you
C F C F
there’ll be nobody home .
C
i’ve got the obligatory hendrix perm .
E E E7
and the inevitable pinhole burns
F C F
all down the front of my favourite satin shirt .
C
i’ve got nicotine stains on my fingers .
E E E7
i’ve got a silver spoon on a chain .
F C
i’ve got a grand piano to prop up my mortal remains .
C
i’ve got wild staring eyes .
C7 F
and i’ve got a strong urge to fly .
Fm C E7 Am D7
but i got nowhere to fly to .
Am C D Fm6
ooooh , babe when i pick up the phone
C F C F
there’s still nobody home .
C
i’ve got a pair of gohills boots
E E7
and i got fading roots .
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