hey y’all : i’ve written this out in a way that can be played without tuning down a whole
step , and i still think it sounds okay . for deeper bass notes you can play the F
barred , but play a regular F for the progression leading into the chorus . also , the C
and A# are usually a half – measure each . enjoy!
intro :
F Gm C A# ( x2 )
verse :
F Gm
standing at the corner of 6th and how to forget
C A# F ( progression into Dm )
tryin’ to do right by you all night , annette
Dm Gm
you can go ahead and get married , and it’ll be our secret thing
C A# F ( progression to Dm )
and i won’t tell a soul , except the people at the niteclub where i sing ,
Dm Gm
i don’t wanna get you all worked up , except secretly i do .
chorus :
F C Gm A#
i’d be lyin’ if i said i didn’t have designs on you
F C Gm A# A#
i’d be lying if i said i didn’t have designs on you
repeat as necessary and riff over the woo hoo section – that’s about it .
hey y’all : i’ve written this out in a way that can be played without tuning down a whole
step , and i still think it sounds okay . for deeper bass notes you can play the F
barred , but play a regular F for the progression leading into the chorus . also , the C
and A# are usually a half – measure each . enjoy!
intro :
F Gm C A# ( x2 )
verse :
F Gm
standing at the corner of 6th and how to forget
C A# F ( progression into Dm )
tryin’ to do right by you all night , annette
Dm Gm
you can go ahead and get married , and it’ll be our secret thing
C A# F ( progression to Dm )
and i won’t tell a soul , except the people at the niteclub where i sing ,
Dm Gm
i don’t wanna get you all worked up , except secretly i do .
chorus :
F C Gm A#
i’d be lyin’ if i said i didn’t have designs on you
F C Gm A# A#
i’d be lying if i said i didn’t have designs on you
repeat as necessary and riff over the woo hoo section – that’s about it .
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