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Of Montreal - Triumph Of Disintegration

– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
triumph of disintegration – of montreal
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

created by : dcolspector

G#m7 – x x x 11 9 7 ( not really A G#m7 because it has no D , but it serves the G#m role . )
C#7 – x x x 10 9 7 ( not really A C#7 because it has no C# , but it serves the C# role . )
F# * – x 9 11 11 11
xebm – x68896
G#m – 466444
C# – x46664
F# – 244322
B – x24442
D – x57775
B * – 799877
D# – x68886
Ddim – x5676
xfdim – x 8 9 10 9

xg#m7 C#7
the last ten days have been a motherfxxker ,
F# * D#m
i didn’t know if i’d survive .
G#m C# F# D#m
ooh ooh , ooh ooh ooh , ooh ooh ooh ooh ooh ooh .
G#m C# F# D#m
ooh ooh , ooh ooh ooh , ooh ooh ooh ooh ooh ooh .

G#m C#
the voice with the synapse that calls ,
F# D#m
blood bats into action has now entered the tablelands .
G#m C#
it’s only natural to feel a little imbalanced ,
F# D#m
it’s A symptom of your hysterical need to be understood .
G#m C# F# D#m
ooh .

you had to forgive your enemy ’cause ,
it was making you psychotic to keep fighting him inside of your head .
but how could you allow these people that you don’t even respect ,
to rape your self – concept and make your inner world an ugliness?
ooh .
G#m C# F# D#m
ooh .

G#m C#

F# B C#
thrashed through the forest like a tormented brute ,
D B * D#
i had to make myself a monster just to feel something ,
F# B
ugly enough to be true .
G#m C#
and then scratching wildly at the mirror in my heart to see their doleful faces .
F# B C#
what is the flaw in just running away?
D B * D#
running away fixes everything ,
F# B
how can i , why should i stay?
G#m
just to view the triumph of disintegration?

G#m C# F# D#m

to live beneath language , or far above ,
it’s really not that different .
at least now that the one thing that is good about me ,
has begun to express itself in malicious ways .
ooh .
G#m C# F# D#m G#m C#
ooh .

F# B C#
thrashed through the forest like a tormented brute ,
D B * D#
i had to make myself a monster just to feel something ,
F# B
ugly enough to be true .
G#m C#
and then scratching wildly at the mirror in my heart to see their doleful faces .
F# B C#
what is the flaw in just running away?
D B * D#
running away fixes everything ,
F# B
how can i , why should i stay?
G#m
just to see the triumph of disintegration?
C#
victories of devastation?

F# B C# D B * D# F# B
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 8b9r8 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
G | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 7b8r7b8 – – – – – – – – – – – – – – – 8 – – – – – – – – – – – – – – – – – – – – – – – – – – – |
D | – – – – – – – – – – – – – – – – – – – – – – – – – – – 6 – – – – – – – – – – – – – – – 8 – – – – – – – – – 8 – – – – – – – – – – – – – – – – – – – – – – – – – |
A | – – – – – – – – – – 1 – 4 – 2 – – – – 4 – – – – /5 – – – – – – – – – – – – – – /6 – – – – – – – – – – – – – – – – – – – – 1 – 4 – 2 – – – 2 – 2 – – – – – – |
E | – 2 – – – – 2 – 4 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 2 – 4 – – – – – – – – – – – – – – – – – – – – |

G#m F# B C# D B * D#
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 8b – – – – – – |
G | – – – – – 4 – 6b8 – – – 6b8r6 – 4 – 3 – – – – – – – – – – – – – – – – – – – – – – – – – – 4 – – – 3h4p3 – – – – – – – – – – – – 8 – – – – – – – – – |
D | – – – 6 – – – – – – – – – – – – – – – – – – – – – 4 – – – – – – – – 4 – – – – – 3 – – – – – 6 – – – – – – – – – – – – 4 – – – – – – – 8 – – – – – – – – – – – |
A | – 6 – – – – – – – – – – – – – – – – – – – – – – – – – 4 – – – /6 – – – – /4 – – – – – 5 – – – – – – – – – – – – – – – – 2 – – /6 – – – – – – – – – – – – – |
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
F# B G#m C# Ddim Fdim F#
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
G | – – – – – – – – – 1h3 – – – – – – – – – – – – – – – – 4 – 6b8 – – – – – – – – – 6 – 8b10 – – 8b10r8b10 – – – – – – – 7 – – – – – – 10 – – – – |
D | – – – – – – – 4 – – – – – 1 – – – – – – – – – – – – 6 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 6 – – – – – – 6 – – – – – – – |
A | – – – 4h6 – – – – – – – – – – – 2 – – – – – /6 – – – – – – – – – – – – – 6h8 – – – – – – – – – – – – – – – – – – – – /5 – – – – – /8 – – – – – – – 4 – |
E | – 2 – – – – – – – – – – – – – – – – – 2 – – – – – – – – – – – – – – – – 9 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 2 – |

– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
triumph of disintegration – of montreal
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

created by : dcolspector

G#m7 – x x x 11 9 7 ( not really A G#m7 because it has no D , but it serves the G#m role . )
C#7 – x x x 10 9 7 ( not really A C#7 because it has no C# , but it serves the C# role . )
F# * – x 9 11 11 11
xebm – x68896
G#m – 466444
C# – x46664
F# – 244322
B – x24442
D – x57775
B * – 799877
D# – x68886
Ddim – x5676
xfdim – x 8 9 10 9

xg#m7 C#7
the last ten days have been a motherfxxker ,
F# * D#m
i didn’t know if i’d survive .
G#m C# F# D#m
ooh ooh , ooh ooh ooh , ooh ooh ooh ooh ooh ooh .
G#m C# F# D#m
ooh ooh , ooh ooh ooh , ooh ooh ooh ooh ooh ooh .

G#m C#
the voice with the synapse that calls ,
F# D#m
blood bats into action has now entered the tablelands .
G#m C#
it’s only natural to feel a little imbalanced ,
F# D#m
it’s A symptom of your hysterical need to be understood .
G#m C# F# D#m
ooh .

you had to forgive your enemy ’cause ,
it was making you psychotic to keep fighting him inside of your head .
but how could you allow these people that you don’t even respect ,
to rape your self – concept and make your inner world an ugliness?
ooh .
G#m C# F# D#m
ooh .

G#m C#

F# B C#
thrashed through the forest like a tormented brute ,
D B * D#
i had to make myself a monster just to feel something ,
F# B
ugly enough to be true .
G#m C#
and then scratching wildly at the mirror in my heart to see their doleful faces .
F# B C#
what is the flaw in just running away?
D B * D#
running away fixes everything ,
F# B
how can i , why should i stay?
G#m
just to view the triumph of disintegration?

G#m C# F# D#m

to live beneath language , or far above ,
it’s really not that different .
at least now that the one thing that is good about me ,
has begun to express itself in malicious ways .
ooh .
G#m C# F# D#m G#m C#
ooh .

F# B C#
thrashed through the forest like a tormented brute ,
D B * D#
i had to make myself a monster just to feel something ,
F# B
ugly enough to be true .
G#m C#
and then scratching wildly at the mirror in my heart to see their doleful faces .
F# B C#
what is the flaw in just running away?
D B * D#
running away fixes everything ,
F# B
how can i , why should i stay?
G#m
just to see the triumph of disintegration?
C#
victories of devastation?

F# B C# D B * D# F# B
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 8b9r8 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
G | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 7b8r7b8 – – – – – – – – – – – – – – – 8 – – – – – – – – – – – – – – – – – – – – – – – – – – – |
D | – – – – – – – – – – – – – – – – – – – – – – – – – – – 6 – – – – – – – – – – – – – – – 8 – – – – – – – – – 8 – – – – – – – – – – – – – – – – – – – – – – – – – |
A | – – – – – – – – – – 1 – 4 – 2 – – – – 4 – – – – /5 – – – – – – – – – – – – – – /6 – – – – – – – – – – – – – – – – – – – – 1 – 4 – 2 – – – 2 – 2 – – – – – – |
E | – 2 – – – – 2 – 4 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 2 – 4 – – – – – – – – – – – – – – – – – – – – |

G#m F# B C# D B * D#
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 8b – – – – – – |
G | – – – – – 4 – 6b8 – – – 6b8r6 – 4 – 3 – – – – – – – – – – – – – – – – – – – – – – – – – – 4 – – – 3h4p3 – – – – – – – – – – – – 8 – – – – – – – – – |
D | – – – 6 – – – – – – – – – – – – – – – – – – – – – 4 – – – – – – – – 4 – – – – – 3 – – – – – 6 – – – – – – – – – – – – 4 – – – – – – – 8 – – – – – – – – – – – |
A | – 6 – – – – – – – – – – – – – – – – – – – – – – – – – 4 – – – /6 – – – – /4 – – – – – 5 – – – – – – – – – – – – – – – – 2 – – /6 – – – – – – – – – – – – – |
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
F# B G#m C# Ddim Fdim F#
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
G | – – – – – – – – – 1h3 – – – – – – – – – – – – – – – – 4 – 6b8 – – – – – – – – – 6 – 8b10 – – 8b10r8b10 – – – – – – – 7 – – – – – – 10 – – – – |
D | – – – – – – – 4 – – – – – 1 – – – – – – – – – – – – 6 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 6 – – – – – – 6 – – – – – – – |
A | – – – 4h6 – – – – – – – – – – – 2 – – – – – /6 – – – – – – – – – – – – – 6h8 – – – – – – – – – – – – – – – – – – – – /5 – – – – – /8 – – – – – – – 4 – |
E | – 2 – – – – – – – – – – – – – – – – – 2 – – – – – – – – – – – – – – – – 9 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 2 – |

DISCLAIMER :
Lirik dan Arrangment Lagu dari Of Montreal merupakan hak cipta/milik pengarang, pengubah, artis (Of Montreal) serta label (publisher) musik yang bersangkutan. Semua properti Lagu serta Lirik yang di tulis di chordla.com ini semata-mata hanya untuk keperluan media edukasi dan hiburan serta turut mempromosikan karya Of Montreal.
Jangan lupa untuk selalu membeli CD ORIGINAL serta SUBCRIBE CHANNEL dari Of Montreal untuk mendukung mereka agar tetap berkarya.
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