intro : Cm , G# , Cm , A# x2
Cm G#
i’d rather dance with you than talk with you
Cm Fm Cm G#
so why don’t we just move into the other room
Cm G# Cm G# A#
there’s space for us to shake , and hey , i like this tune
Cm G#
even if i could hear what you said
Cm Fm Cm G#
i doubt my reply would be interesting for you to hear
Cm G# Cm G#
because i haven’t read a single book all year
Cm Fm Cm
and the only film i saw , i didn’t like it at all
Cm , G# , Cm , A# x2
| – – – – – – – – – – – – – – – – – – – – – – – |
| – – – – – – – – – 6 – – – – – – – 8p6 – – 8 |
| – – 5h7 – – 8 – – – 7 – 5 – 5 – – – – – – – |
| – – – – – – – – – – – – – – – – – – – – – – – |
| – – – – – – – – – – – – – – – – – – – – – – – |
| – – – – – – – – – – – – – – – – – – – – – – – |
Cm G# Cm A#
i’d rather dance , i’d rather dance than talk with you
i’d rather dance , i’d rather dance than talk with you
i’d rather dance , i’d rather dance than talk with you
Cm
the music’s too loud and the noise from the crowd
A#
increases the chance of misinterpretation
Cm G#
so let your hips do the talking
Cm Fm Cm G#
i’ll make you laugh by acting like the guy who sings
Cm Fm Cm
and you’ll make me smile by really getting into the swing
G# Cm
getting into the swing , getting into the swing
A# Cm
getting into the swing , getting into the swing
G# Cm
getting into the swing , getting into the swing
A# Cm
getting into the swing , getting into the swing . . .
( getting to the swing . . . )
Cm G# Cm A#
i’d rather dance , i’d rather dance than talk with you
i’d rather dance , i’d rather dance than talk with you
i’d rather dance , i’d rather dance than talk with you
i’d rather dance , i’d rather dance than talk with you
i’d rather dance with you
i’d rather dance with you
i’d rather dance with you
intro : Cm , G# , Cm , A# x2
Cm G#
i’d rather dance with you than talk with you
Cm Fm Cm G#
so why don’t we just move into the other room
Cm G# Cm G# A#
there’s space for us to shake , and hey , i like this tune
Cm G#
even if i could hear what you said
Cm Fm Cm G#
i doubt my reply would be interesting for you to hear
Cm G# Cm G#
because i haven’t read a single book all year
Cm Fm Cm
and the only film i saw , i didn’t like it at all
Cm , G# , Cm , A# x2
| – – – – – – – – – – – – – – – – – – – – – – – |
| – – – – – – – – – 6 – – – – – – – 8p6 – – 8 |
| – – 5h7 – – 8 – – – 7 – 5 – 5 – – – – – – – |
| – – – – – – – – – – – – – – – – – – – – – – – |
| – – – – – – – – – – – – – – – – – – – – – – – |
| – – – – – – – – – – – – – – – – – – – – – – – |
Cm G# Cm A#
i’d rather dance , i’d rather dance than talk with you
i’d rather dance , i’d rather dance than talk with you
i’d rather dance , i’d rather dance than talk with you
Cm
the music’s too loud and the noise from the crowd
A#
increases the chance of misinterpretation
Cm G#
so let your hips do the talking
Cm Fm Cm G#
i’ll make you laugh by acting like the guy who sings
Cm Fm Cm
and you’ll make me smile by really getting into the swing
G# Cm
getting into the swing , getting into the swing
A# Cm
getting into the swing , getting into the swing
G# Cm
getting into the swing , getting into the swing
A# Cm
getting into the swing , getting into the swing . . .
( getting to the swing . . . )
Cm G# Cm A#
i’d rather dance , i’d rather dance than talk with you
i’d rather dance , i’d rather dance than talk with you
i’d rather dance , i’d rather dance than talk with you
i’d rather dance , i’d rather dance than talk with you
i’d rather dance with you
i’d rather dance with you
i’d rather dance with you
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