what are you like? ( E . saliers )
amy usually plays these chords while emily plays with a capo on the 2nd fret .
i suggest to use a capo on the 2nd fret because it’s easier to play , and you can
also get faster to play the chords by using less barre chords .
st . tuning , no capo .
D A E B ( x2 )
D A E B
today my mind is drawing a blank
D A E B
i canvas you to color this in
D A E B
there’s no gas left in the tank
D A E B
you’ve always got your engines running
G A
you’ve got no whip when the beast lays down
Em C#
and feeds upon the rest has finally found
C# F# G#m
what are you like?
B C#
my open door revolver
F# G#m
what are you like?
B C#
my go to problem solver
F# G#m B C# D#m C# B
you shine a light in the darkest corners of my mind
B
what are you like?
C# B D A E B
you’re that kind
( chords same as verse 1 )
i cover mirrors with the clocks ( cover mirrors with the clocks )
i’m getting superstitious lately ( you don’t ever brush it off )
but you don’t ever brush it off ( you won’t cover me to safety )
you won’t cover me to safety
G A
while i’m sitting on this couch
Em C#
you’re up and figuring it out
what are you like?
my open door revolver
what are you like?
my go to problem solver
you shine a light in the darkest corners of my mind
what are you like?
D A
the greek chorus of our little play
E B
you’ll explain me when i act this way
and as we go along
the unwritten song breaks through
B C#
and it’s all about you
what are you like? ( you’re an open door )
what are you like? ( you’re the best and more )
what are you like? ( you’re a sacred text )
what are you like? ( you’re what’s coming next )
what are you like? ( you’re my open door [ x3 ] )
what are you like? ( E . saliers )
amy usually plays these chords while emily plays with a capo on the 2nd fret .
i suggest to use a capo on the 2nd fret because it’s easier to play , and you can
also get faster to play the chords by using less barre chords .
st . tuning , no capo .
D A E B ( x2 )
D A E B
today my mind is drawing a blank
D A E B
i canvas you to color this in
D A E B
there’s no gas left in the tank
D A E B
you’ve always got your engines running
G A
you’ve got no whip when the beast lays down
Em C#
and feeds upon the rest has finally found
C# F# G#m
what are you like?
B C#
my open door revolver
F# G#m
what are you like?
B C#
my go to problem solver
F# G#m B C# D#m C# B
you shine a light in the darkest corners of my mind
B
what are you like?
C# B D A E B
you’re that kind
( chords same as verse 1 )
i cover mirrors with the clocks ( cover mirrors with the clocks )
i’m getting superstitious lately ( you don’t ever brush it off )
but you don’t ever brush it off ( you won’t cover me to safety )
you won’t cover me to safety
G A
while i’m sitting on this couch
Em C#
you’re up and figuring it out
what are you like?
my open door revolver
what are you like?
my go to problem solver
you shine a light in the darkest corners of my mind
what are you like?
D A
the greek chorus of our little play
E B
you’ll explain me when i act this way
and as we go along
the unwritten song breaks through
B C#
and it’s all about you
what are you like? ( you’re an open door )
what are you like? ( you’re the best and more )
what are you like? ( you’re a sacred text )
what are you like? ( you’re what’s coming next )
what are you like? ( you’re my open door [ x3 ] )
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