hall of the mountain grill
= = = = = = = = = = = = = = = = = = = = = = = = = =
although this instrumental is played on the piano , here’s a guitar
version . one guitar should strum the chords and a second guitar
should play the chords arpeggiated using the notes shown as ’melody’ .
the general idea is to play the arpeggiated chords from the root note
upwards until you hit the 2nd octave , then come back down again . the
final couplet in each phrase should be played 2 octaves above the
root note . if this makes no sense , just muck about with it till it
sounds right , that’s all i did anyway . . .
chord : Am
melody : A – E – A – D A – E – D b__a ( x2 )
chord : D#m
melody : D# – A# – D# – F# – A# – F# – D# f__d ( x2 )
chord : Cm
melody : C – G – C – D# – G – D# – C d__c ( x2 )
chord : F#m
melody : F# – C# – F# – B F# – C# – B ab__f# ( x2 )
this tab is not my own work and is made by the talented folks at starfarer . net and
is from their collection of tabs! i Am simply transferring it here for simplicities sake .
hall of the mountain grill
= = = = = = = = = = = = = = = = = = = = = = = = = =
although this instrumental is played on the piano , here’s a guitar
version . one guitar should strum the chords and a second guitar
should play the chords arpeggiated using the notes shown as ’melody’ .
the general idea is to play the arpeggiated chords from the root note
upwards until you hit the 2nd octave , then come back down again . the
final couplet in each phrase should be played 2 octaves above the
root note . if this makes no sense , just muck about with it till it
sounds right , that’s all i did anyway . . .
chord : Am
melody : A – E – A – D A – E – D b__a ( x2 )
chord : D#m
melody : D# – A# – D# – F# – A# – F# – D# f__d ( x2 )
chord : Cm
melody : C – G – C – D# – G – D# – C d__c ( x2 )
chord : F#m
melody : F# – C# – F# – B F# – C# – B ab__f# ( x2 )
this tab is not my own work and is made by the talented folks at starfarer . net and
is from their collection of tabs! i Am simply transferring it here for simplicities sake .
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