( intro D A D A )
D A D A G A D A
my life is comfortable but i don’t want that image for my band .
D A D A G A D A
inside , i’m reasonable but i’ll make out they just don’t understand .
Em A Em A
when we don’t feel well let’s put on some velvets
Em G A
leave our guitars up against the amp .
D A D
and get feedback when i feel that i need that
A G A D A ( D a x5 )
air of “look , aren’t we dangerous” – that’s the time to feedback .
D A D A G A D A
intense , no compromise , nasty evil cranking up my brain .
D A D A G A D A
pain , howl , she’s gone to spain with a load of mates from work .
Em A Em A
and i feel cursed and sore , like i’m thurston moore like
Em G A
the darkness in my eyes won’t go away .
D A D
i get feedback in my bedroom in nantwich
A G A D A
stamp my foot down on the angst – switch : that’s the time to feedback .

( instr D A D A , G A G A , D A , G A , D A , D A D A )
B Em A D
somebody’s knocking on my door; it’s the boy from over the road
B Em A D
and he says he shares our obsession and he’d like to join in on the session
B Em A
and the others aren’t arsed either way , so i say :
D A D A
i think we’d better let him in , i heard he’s got a theremin
D A D A
i think we’d better let him in , i’ve heard he’s got a theremin
Em A
and i’ve seen him walk through the park a lot
Em A
and i bet he listens to arc a lot
D A
i think we’d better let him in , he’s got a theremin
D A
we’d better let him in , he’s got a theremin .

( instr to fade )