( intro A D E A , A D E
A D E A
found a nice little cove where nobody else goes
D
took a trip ’round the caves of drach
E
and said ’it’s good to explore the more cultural aspects’ .
A D E A
hedley verityesque , she passed into folklore
D
trod on the lines in the pavement
E
and said ’there’s no room for enigmas in built – up areas’ .
C Am
sweats who think they’re hard , sweats who think they’re hard
C Am
my head no end do in , head no end do in
Dm Am Dm Am
brakes fail in the rain down memory lane
Dm E
come re – live my paper round with me .
A D E A
and i don’t see any more , i don’t see any more pent up alsatians
D
they used to wait by the door
E
and say ’it’s nice to know you’re here , it’s nice to know you’re here’ .
A D E A
and i don’t want any more , i don’t want any more stark german film noirs
D
and i could well do without
E C Am C Am
the handclapping sequence at the end of blockbusters .
Dm Am Dm Am
you were in my hall , now you’re on my wall
Dm E A D E A , D E
peter sarstedt , mister irony – get in the hole .
C Am
in some warm lagoon , in some warm lagoon
C Am
i’ll be with ayshea soon , be with ayshea soon
Dm Am Dm Am
brakes fail in the rain down memory lane
Dm E
come re – live my paper round with me .
A D E A
and i don’t see any more , i don’t see any more big mad alsatians
D
they used to wait by the door
E
and sing ’it’s nice to know you’re here , it’s nice to know you’re here’ .
A D E A
and i don’t need any more , i don’t need any more stark german film noirs
D
and i could well do without
E
the handclapping sequence at the end of blockbusters
when all of the audience try to convince themselves
that what they’re doing is silly but acceptable
E7 A
and the only thing i can say is ’oh kip keino’ .
( intro A D E A , A D E
A D E A
found a nice little cove where nobody else goes
D
took a trip ’round the caves of drach
E
and said ’it’s good to explore the more cultural aspects’ .
A D E A
hedley verityesque , she passed into folklore
D
trod on the lines in the pavement
E
and said ’there’s no room for enigmas in built – up areas’ .
C Am
sweats who think they’re hard , sweats who think they’re hard
C Am
my head no end do in , head no end do in
Dm Am Dm Am
brakes fail in the rain down memory lane
Dm E
come re – live my paper round with me .
A D E A
and i don’t see any more , i don’t see any more pent up alsatians
D
they used to wait by the door
E
and say ’it’s nice to know you’re here , it’s nice to know you’re here’ .
A D E A
and i don’t want any more , i don’t want any more stark german film noirs
D
and i could well do without
E C Am C Am
the handclapping sequence at the end of blockbusters .
Dm Am Dm Am
you were in my hall , now you’re on my wall
Dm E A D E A , D E
peter sarstedt , mister irony – get in the hole .
C Am
in some warm lagoon , in some warm lagoon
C Am
i’ll be with ayshea soon , be with ayshea soon
Dm Am Dm Am
brakes fail in the rain down memory lane
Dm E
come re – live my paper round with me .
A D E A
and i don’t see any more , i don’t see any more big mad alsatians
D
they used to wait by the door
E
and sing ’it’s nice to know you’re here , it’s nice to know you’re here’ .
A D E A
and i don’t need any more , i don’t need any more stark german film noirs
D
and i could well do without
E
the handclapping sequence at the end of blockbusters
when all of the audience try to convince themselves
that what they’re doing is silly but acceptable
E7 A
and the only thing i can say is ’oh kip keino’ .
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