gypsy punks : underdog world strike
1 . “sally” 3 : 03
2 . “i would never wanna be young again” 3 : 46
3 . “not a crime” 4 : 31
4 . “immigrant punk” 3 : 45
5 . “60 revolutions” 2 : 58
6 . “avenue b” 3 : 08
7 . “dogs were barking” 4 : 53
8 . “oh no” 2 : 59
9 . “start wearing purple” 3 : 43
10 . “think locally , fxxk globally” 4 : 23
11 . “underdog world strike” 5 : 24
12 . “illumination” 3 : 52
13 . “santa marinella” 5 : 28
14 . “undestructable” 4 : 53
15 . “mishto!”
title : sally
artist : gogol bordello
album : gypsy punks
tabber : duncan usher
intro : Am
E | – – – – – – – – – – – – – – – – – – – |
B | – – – 1 – – – 1 – – – – 1 – – – 1 – – |
G | – – – 2 – – – 2 – – – – 2 – – – 2 – – |
D | – – – 2 – – – 2 – – – – 2 – – – 2 – – |
A | – 0 – – – – – – – – 0 – – – – – – – – |
E | – – – – – 0 – – – – – – – – 0 – – – – |
Am
sally was a fifteen year old girl from nebraska
gypsies were passing through her little town
Dm
they dropped something on the road , she picked it up . . .
Am
and cultural revolution right away begun!
Dm Am ( add finger to 3rd fret of G for the counter chord thing )
oh no , cultural revolution just begun
Dm Am
oh no , cultural revolution just begun
Am
they always were afraid that i was schizophrenic . . .
they always were afraid schto ja rodinu prodal
Dm
a po pravde ja bil prosto malenkij medvedik
Am
sel na velosipedik i vsjo nahuj proebal . . .
Dm Am
oh no , cultural revolution just begun
Dm Am
oh no , cultural revolution just begun
Dm Am
from all the tables of contents that mother earth provides
Dm Am
i’d like to be a big fat fxxking fly
Dm Am
the one that spins around your head all day and all night
E
and sound of it is just like a what? . . .
Dm Am
. . . but by the accident of some kind divine dispensation
Dm Am
i ended up being walking united nation
Dm Am
and i survive even fxxking radiation
E
a big fat fxxking what?and i would visit you a lot
outro : Am
title : i would never wanna be young again
artist : gogol bordello
album : gypsy punks
tabber : duncan usher
Bm
by the desperate ’n’ confused
emotion of the youth
F#
i was brought to crisis land
where after getting checked for fleas
and barricades of embassies
Bm
i was sculpted to be overworked and silent
but since the early age
i broke out of the cage
and learned how to make marching drums
F#
from a fish can
and i knew i’ll run away
and so without further delay
i said “two tears in a bucket
Bm
motherfxxk it!”
Em Bm
and it seems like i ran and ran
Em Bm
through the garbage and quicksand
Em
and after getting checked for fleas
Bm
and barricades of embassies
F#
i would never never never never
wanna be young again! . . .
E | – – – – – – – – – – – – – – – – – – – – – | |
B | – – – – – – – – – – – – – – – – – – – – – | |
G | – – – 4 – – – 4 – – – 4 – – – 4 – – – – – | |
D | – – – – – – – – – – – – – – – – – – – – – | |
A | – 2 – – – – – – – – – – – – – – – – – – – | |
E | – – – – – 2 – – – 3 – – – 2 – – – – – – – | |
key goes up : A , A# , G
Cm
but sudden wind it stole my hat
and i went on chasing it
G
before i was just another burned out carnie
every freak on every day
lives a life one certain way
Cm
and that way is ain’t no nothin’ but a birthright~
but since the early age
i broke out of the cage . . .
and learned how to make marching drums
G
from a fish can
and i knew i’ll run away
and so without further delay
i said “two tears in a bucket
Cm
motherfxxk it!”
Fm Cm
and it seems like i ran and ran
Fm Cm
through the garbage and quicksand
Fm
and after getting checked for fleas
Cm
and barricades of embassies
G
i would never never never never
wanna be young again . . .
E | – – – – – – – – – – – – – – – – – – – – – | |
B | – – – – – – – – – – – – – – – – – – – – – | |
G | – – – 5 – – – 5 – – – 5 – – – 5 – – – – – | |
D | – – – – – – – – – – – – – – – – – – – – – | |
A | – 3 – – – – – – – – – – – – – – – – – – – | |
E | – – – – – 3 – – – 4 – – – 3 – – – – – – – | |
next bit : Cm , G ( basically the intro but in the new key )
Fm Cm
and it seems like i ran and ran
Fm Cm
through the garbage and quicksand
Fm
and after getting checked for fleas
Cm
and barricades of embassies
G
i would never never never never
wanna be young again . . .
violin bit :
E | – – 15 – – – – 15 – – – – – – – 15 – 16 – 15 – 16 – – 19 – 21 – 22 – – – – – – – – – – | |
B | – – – – – 18 – – – – 16 – 18 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – | |
G | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – | |
D | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – | |
A | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – | |
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – | |
outro : Cm , G
artist : gogol bordello
track : not a crime
album : gypsy punks
tabber : woodshed
riff A
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – | – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – | – – – – – – – – – – – – – – – – – – – – – – – – |
G | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – | – – – – – – – – – – – – – – – – – – – – – – – – |
D | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – | – – – – – – – – – – – – – – – – – – – – – – – – |
A | – – – – – – – – – – – – 0 – 2 – 0 – – – 0 – – – – – – – – – | – – – – – – – 0 – 2p0 – – – – 0 – – – – – – – – |
E | – – 12 – – 0 – – 3 – – – – – – – 3 – – – 3 – – 0 – – – – | – – 0 – – 3 – – – – – – – – 3 – – – – – – – – – – |
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – – – – – – – – – – – – – – – – – – – – – – – – | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
G | – – – – – – – – – – – – – – – – – – – – – – – – – – – | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
D | – – – – – – – – – – – – – – – – – – – – – – – – – – – | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
A | – – – – – – – – – 0 – 2p0 – – – 0 – – – – – – – – – | – – 2p0 – – – 0 – – – – – – – – 2p0 – – – 0 – – – – – – – – – |
E | – – – – 0 – – 3 – – – – – – – 3 – – – 3p0 – – – – – | – – – – – – 3 – – – – – – – – – – – – – – 3 – – – 3p0 – – – – – |
riff ax4 ( minus slide from 12th fret on repeats )
ex3 bars followed by F#5
ex12 bars
riff a x2
in the old times it was not a crime . drop the charges . the people realise . . .
ex8 bars
in the old times , in the old times . . .
ex3 bars followed by F#5
ex12 bars
ex3 bars followed by F#5
ex12 bars
breakdown section
riff B
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
G | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
D | – – – – – – 0h2 – 2 – – – 2 – – – 2 – p0 – – – – – – – – – – – – – – – – | – – – – – – – – – – 0h2 – 2 – – – 2 – – – 2/5 – – – – – – |
A | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
reality . . .
E | – – – – – 0 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – /5 – 3 – 2 – 32 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 2 – – – – – |
G | – – – – – – – – – – – – – – – – 4 – – – 3h4p3 – – – 3 – – – – – – – – – – – – – – – – – – – – 3 – 43 – – – 3 – – – – – – – |
D | – – – – – – – – – – – – – – – – – – – – – – – – – – 5 – – – 5 – 4 – – – – – – – – – – 2 – 4/5 – – – – – – – 5 – – – – – – – – – |
A | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
E | – – – – – 0 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – /5 – – 3 – 2h32 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
G | – – – – – – – – – – – – – – – – – 4 – – – 3h4p3 – – – – 3 – – – – – – – – – – – – – – – – 3 – 4p3 – – – – – – – – – – – – – |
D | – – – – – – – – – – – – – – – – – – – – – – – – – – – – 5 – – – 5 – 4 – – – – – – 2 – 4/5 – – – – – – – 54 – – 2 – – – – – – |
A | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – – 5 – 2h3p2 – /5 – – – – – – – 5 – 3 – 2 – – – – – – – – – – – – 5 – 3 – 2 – – – – – – – – – – – – – – – – 2 – – – – – – – |
G | – – – – – – – – – – – – – – – – – – – – – – – – – – – – 3h4 – – – – – – – – – – – – – – 3/4 – 3/4 – – – 34 – – – – – – – – – – |
D | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
A | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
in the old time . . .
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – – 5 – 2h3p2 – /5 – – – 5 – 3 – 2 – – – – – – – – – – – – – – – – – 5 – – 5 – – 5 – – – – – – – – – – – – – – – – – – |
G | – – – – – – – – – – – – – – – – – – – – – – – – – 3h4 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
D | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 2 – 2 – 2 – – – – – – |
A | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 2 – 2 – 2 – – – – – – |
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 0 – 0 – 0 – – – – – – |
not a crime!
ex3 bars followed by F#5
ex12 bars
F# – E – F# – E
( ukranian ) not a crime
F# – E – F# – E
( ukranian ) not a crime
[ russian ] : – i’ve managed to get the letter , nikolay ivanovich .
– and if it is forbidden again?
– absolutely forbidden! belinsky * to gogol! ah , nikolay ivanovich , its such a letter!
drop the charges!
[ russian ] : gimme the forbidden!
the fire and the power , yuh?!
[ ukrainian ]
( in the old time it was not a crime , drop the charges ,
don’t you realise the sun rises? )
( drop the charges , man! drop the charges! )
( right you are! and this time , let the people know . . . )
in the old time , in the old time ,
in the old time it was not a crime!
( what are you talking about? )
in the old time , in the old time ,
in the old time it was not a crime!
not a crime!
( it’s all nonsensical! )
not a crime!
in the old time , in the old time ,
in the old time it was not a crime!
in the old time , in the old time ,
in the old time it was not a crime!
( * coughs * )
not a crime!
drop the charges!
not a crime!
not a crime!
not a crime!
reality!
[ russian ] : oh , gimme the forbidden! aphorism *
spices , creation , realisation , naturalisation ,
what are you talking about? it’s all about time ’cos today you go to nature .
not a crime!
in the old time , in the old time ,
in the old time it was not a crime!
in the old time , in the old time ,
in the old time it was not a crime!
( not a crime , not a crime! )
not a crime!
[ russian ] : oh , gimme the forbidden!
not a crime!
not a crime!
drop the charges , man!
not a crime!
drop the charges!
[ russian ] [ i ] have been sitting dangling my legs , [ i ] didn’t want to work
not a crime!
[ russian ] [ i ] have been sitting dangling my legs , [ i ] didn’t want to work
not a crime!
( it’s not a crime , it’s legal – perfectly natural ) .
immigrant punk
tabbed by : ben wright
standard tuning eadgbe
any feedback appreciated , either leave a comment or email friskyfleabag@aol . com
Am
| – – – pm – – – | | – – pm – – | | – – – – – – – – – pm – – – – – – – – – – – – – – – – |
E | – – – – – – – – 0 – – – 0 – – – – – – – – – – – – 0 – – – 0 – – – – – – – – – – – – 0 – – – 0 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – – – – – 1 – – – 1 – – – – – – – – – – – – 1 – – – 1 – – – – – – – – – – – – 1 – – – 1 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
G | – – – – – – – – 2 – – – 2 – – – – – – – – – – – – 2 – – – 2 – – – – – – – – – – – – 2 – – – 2 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
D | – – – – – – – – 2 – – – 2 – – – – – – – – – – – – 2 – – – 2 – – – – – – – – – – – – 2 – – – 2 – – – – – – – 22220000 – – – – – – – – – – – – – – |
A | – – – – – 0 – – – – – – – – 2223 – – – – 0 – – – – – – – – – – – – – – – – 0 – – – – – – – – 2223 – – – – – – – – – – 333 – – – – – – – – – – – |
E | – – – – – – – – – – 0 – – – – – – – – – 0 – – – – – – 0 – – – 3330 – – 0 – – – – – – 0 – – – – – – – – – – – – – – – – – – – – 3 – – – 0 – – – – – – |
that’s the basic riff for most of the song . when i went to see them live though the
played it like this :
Am
| – – – pm – – – | | – – pm – – | | – – – – – – – – – pm – – – – – – – – – – – – – – – – |
E | – – – – – – – – 0 – – – 0 – – – – – – – – – – – – 0 – – – 0 – – – – – – – – – – – – 0 – – – 0 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – – – – – 1 – – – 1 – – – – – – – – – – – – 1 – – – 1 – – – – – – – – – – – – 1 – – – 1 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
G | – – – – – – – – 2 – – – 2 – – – – – – – – – – – – 2 – – – 2 – – – – – – – – – – – – 2 – – – 2 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
D | – – – – – – – – 2 – – – 2 – – – – – – – – – – – – 2 – – – 2 – – – – – – – – – – – – 2 – – – 2 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
A | – – – – – 0 – – – – – – – – 2223 – – – – 0 – – – – – – – – – – – – – – – – 0 – – – – – – – – 2223 – – 77775555333 – – – – – – – – – – – |
E | – – – – – – – – – – 0 – – – – – – – – – 0 – – – – – – 0 – – – 3330 – – 0 – – – – – – 0 – – – – – – – – – – – – – – – – – – – – 3 – – – 0 – – – – – – |
obviously it can be played either way , it’s down to you as to what you think sounds
easier to play .
in the verse after a while it then goes like this :
“there is a little punk rock mafia
everywere you go” ( 00 : 56 )
Dm Am Dm Am Dm
E | – – – – 1 – – – – – 1 – – – – – 0 – – – – – 0 – – – – – 1 – – – – – 1 – – – – – 0 – – – – – 0 – – – – – 1 – – ( let ring ) – – – – – – – – – |
B | – – – – 3 – – – – – 3 – – – – – 1 – – – – – 1 – – – – – 3 – – – – – 3 – – – – – 1 – – – – – 1 – – – – – 3 – – – – – – – – – – – – – – – – – – – – – |
G | – – – – 2 – – – – – 2 – – – – – 2 – – – – – 2 – – – – – 2 – – – – – 2 – – – – – 2 – – – – – 2 – – – – – 2 – – – – – – – – – – – – – – – – – – – – – |
D | – 0 – – 0 – – – – – 0 – – – – – 2 – – – – – 2 – – 0 – – 0 – – – – – 0 – – – – – 2 – – – – – 2 – – – – – 0 – – – – – – – – – – – – – – – – – – – – – |
A | – – – – – – – 0 – – – – – 0 – – – – – – – – – – – – – – – – – 0 – – – – – 0 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
E | – – – – – – – – – – – – – – – – – – – 0 – – – – – – – – – – – – – – – – – – – – – – – 0 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
the open strings played here basically imitate the bass . the whole song is pretty much
two riffs just alternating between each other , but for the bridge at 02 : 48
“of course we immigrants wanna sing all night long”
Am
E | – – – – 0 – – – – – – – – |
B | – – – – 1 – – – – – – – – |
G | – – – – 2 – – – – – – – – |
D | – – – – 2 – – – – – – – – | x16
A | – – – – 0 – – – – – – – – |
E | – – – – – – – – – – – – – |
“so i’m relaxed , i’m just larking around” 02 : 59 ( bass adapted to guitar )
( all palm muted )
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
G | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
D | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 222 – – 000 – – – – – – – – – – – – – – – – – – – – – – |
A | – – 0 – – 002223 – – 00000 – – – – – – – – 00000002223 – – 000 – – – – – – – – – – – – 333 – – – – – – – – – – – – – – – – – |
E | – – – – – – – – – – – – – – – – – – – – 33 – 0 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 3 – – – – – – – – – – – – – – – – |
or
( all palm muted )
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
G | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
D | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
A | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 777 – – 555 – – 333 – – – – – – – – – – – – – – – – – |
E | – – 5 – – 557778 – – 55555 – – 33 – 0 – – 55555557778 – – 555 – – – – – – – – – – – – – – – 3 – – – – – – – – – – – – – – – – |
again it can be played either way , down to personal preference .
that’s it pretty much , any comments or ratings very much appreciated : o )
immigrant , immigrant , immigrant punk
immigrant , immigrant , immigrant punk
immigrant , immigrant , immigrant punk [ x2 ]
punk!
upon arriving to the melting pot
i get penciled in as a goodamn white
now that i Am categorized
officer gets me naturalized
immigrant punk
immigrant , immigrant , immigrant punk
now that i’m living up in god knows where
sometime it gets hard without a friend
but as i Am lurking around
hoptza! i see another immigrant punk!
there is a little punk rock mafia
everywhere you go
she is good to me and i Am good to her . . .
legalize me! realize me!
immigrant , immigrant , immigrant punk
immigrant , immigrant , immigrant punk
immigrant , immigrant , immigrant punk
despite the living up in usa
i’m still holding up in all my ways
i gotta friends , we gotta band
we still make sound you can’t stand
without banging on some big old pot
without getting out of bed
but i’m relaxed , i’m just lurking around
hoptza! i see another immigrant punk!
there is a little punk rock mafia
everywhere you go
she is good to me and i Am good to her . . .
legalize me! realize me!
party!
of course we immigrants wanna sing all night long
don’t you know the singing salves the troubled soul?
so i’m relaxed , i’m just lurking around
i got a method and you don’t
you got a dictionary kicking around?
look up the immigrant , immigrant , immigrant punk!
punk
immigrant punk
immigrant , immigrant , immigrant punk
immigrant , immigrant , immigrant punk
immigrant , immigrant , immigrant punk
immigrant , immigrant , immigrant punk
immigrant , immigrant , immigrant punk
punk! punk! punk! punk!
i punk!
60 revolutions
it really bums me out that there are no really good tabs of this amazing song by this
band . heres the full guitar parts , tabbed by ear by john ox :
intro
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
G | – 14 – – – 17 – 14 – 13 – – – 16 – – – 13 – 13 – 16 – 13 – 14 – – – – – – 14 – 14 – 17 – 14 – 13 – 16 – – – |
D | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 14 – – – – – – – – – – – – – – – – – – – – – – – |
A | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
intro chords ( listen for the strumming pattern , pretty simple )
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
G | – 2 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 2 – – – – – – – 2 – – – – – – – – – – – – – – – – – – – |
D | – 2 – – – – – – – – – – 2 – – – – – – – – – 2 – – – – – – – – – – – 2 – – – – – – – 2 – – – – – – – – – – – – 2 – – – – – – |
A | – 0 – – – – – – – – – – 2 – – – – – – – – – 2 – – – – – – – – – – – 0 – – – – – – – 0 – – – – – – – – – – – – 2 – – – – – – |
E | – – – – – – – – – – – – 0 – – – – – – – – – 0 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 0 – – – – – – |
and then . . .
accordion ( transcribed for guitar )
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – – – – – – – – – – – – – – – – – – – 12 – 13 – 12 – – – – |
G | – – – – – – – 12 – 13 – 14 – 13 – 14 – – – – – – – – – – 14 – |
D | – 14 – 13 – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
A | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
A5 E5 E5
sixty revolutions per minute
A5
this is my regular speed
A5 E5 E5
so how do you want me to live with it?
how do you want me to live with it?
chorus :
A5 E5
without ringing all alarms
E5 A5
without overthrowing czars
A5 E5
without emptying the bars
E5
without screwing with your charts
then another verse , then the bridge
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
B | – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
G | – 14 – 12 – – – 7 – 9 – – – 10 – 9 – 7 – 4 – 5 – – – |
D | – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
A | – 12 – 10 – – – 5 – 7 – – – 87 – 5 – 2 – 3 – – – – |
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
then more stuff . throw in the intro riff liberally . bass follows the chords , which
pretty constant through the whole song .
if you want to add a solo , use this scale .
E | – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 5 – |
B | – – – – – – – – – – – – – – – – – – – – – – – – – 6 – 9 – – – |
G | – – – – – – – – – – – – – – – – – – – 5 – 7 – 9 – – – – – – – |
D | – – – – – – – – – – – – – 6 – 7 – 9 – – – – – – – – – – – – – |
A | – – – – – – – 5 – 7 – 8 – – – – – – – – – – – – – – – – – – – |
E | – 5 – 7 – 8 – – – – – – – – – – – – – – – – – – – – – – – – – |
60 revolutions per minute
this is my regular speed
so how do you want me to live with it?
how do you want me to live with it?
without ringing all alarms!
without overthrowing czars!
without emptying the bars!
without screwing with your charts!
60 revelations per minute
this is my regular need
so how do you want me to live with it?
how do you want me to live with it?
without ringing all alarms! . . .
without ringing all alarms!
without overthrowing czars!
without emptying the bars!
without screwing with your charts!
i’m gathering new generation
that’s gonna stand up to it
to this karaoke dictatorship
where posers and models with guitars
boogie to the shit for beats
i make a better rock revolution
alone with my dick!
without ringing all alarms!
without overthrowing czars!
without emptying the bars!
without screwing with your charts!
si el america me lo bate que rico chocolate
no esperabas que por alguien me mate
si el america me lo bate que rico chocolate
no esperabas que por alguien me mate
without ringing all alarms!
without overthrowing czars!
without emptying the bars!
without screwing with your charts!
sesenta por minuto es mi reputacion
y no te estoy hablando yo de revolucion
hace mucho tiempo que yo ya no te decian
basta de injusticia , muerte y policia .
basta de lo que digas ya esta todo arreglado
digas lo que digas yo te mando deportado
el que tiene impone y sobre la ley dispone
mientras que el pobre es pobre
pobre , pobre y otro se la come
pobre , pobre , pobre , pobre y otro se la come come
pobre , pobre , pobre , pobre y otro se la come come
avenue B
okay so the progression is just this;
Am – E and some Dm
sitting in the russian bath house on the avenue B
no matter how much we sweat we just can’t agree
ai razminku yorshikom provodim my
nobody learns no nothing from no history
tall little sally plays with magic ebbles
dasha sells equipment to the chechnian rebels
ya vihozgu iz anala v astral
tam mnogo chego slishal no ne zapisal
nesmotrja na se . she . A . ne poterjal azarta
buhaju strogo kazdoje 8 – E marta
sitting in the bath house on the avenue B
and never agree . . .
. . . but sally all empires fall . . . even trends they fade away
even complete ( stranger ) asshole can lead you astray . . .
but god damn it , next round is on me
nobody learns no nothin’ from no history
tall little sally my darlin’ your panic is so charming
your shopping techniques are amazing
your celebrity erudition is disarming . . . yura viruchai!
oh no
starts with strumming Em . . .
Em B
sometimes when facing common trouble
Em
when whole town is screwed
B
we become actually human
Em
act like prometheus would
A
suddenly there is more humor
G
and a party tabor style
B
people ringing one another
Em
“yo man , how was your blackout?”
B
suddenly there is more music
Em
made with the buckets in the park
B
girls are dancing with the flashlights
Em
i got only one guitar!
A
and you see brothers and sisters
G
all engaged in sport of help
B
making merry out of nothing
Em
like in refugee camp
Em
B Em
oh yeah oh no , it doesn’t have to be so
B
it is possible any time anywhere
Em
even without any dope
B Em
oh yeah oh no , it doesn’t have to be so
B Em
forces of the creative mind are unstoppable!
and so on . . .
sometimes when facing common trouble
when whole town is screwed
we become actually human
act like prometheus would
suddenly there is more humor
and a party tabor style
people ringing one another
“yo man , how was your blackout?”
suddenly there is more music
made with the buckets in the park
girls are dancing with the flashlights
i got only one guitar!
and you see brothers and sisters
all engaged in sport of help
making merry out of nothing
like in refugee camp
oh yeah oh no , it doesn’t have to be so
it is possible any time anywhere
even without any dough
oh yeah oh no , it doesn’t have to be so
forces of the creative mind are unstoppable!
and you think , all right , now people
they have finally woked up
but as soon as the trouble over
watch them take another nap
nobody is making merry
only trotting scared of boss
everybody’s making hurry
for some old forgotten cause
but one thing is surely eternal
it’s condition of a man
who don’t know where he is going
who don’t know where does he stand
who’s dream power is corked bottle
put away in dry dark place
who’s youth power is well buried
under propaganda waves
who’s dream life is in opposition
with the life he leads today
who’s beaten down in believing
it just kinda goes this way!
oh no , it doesn’t have to be so
forces of the creative mind are unstoppable!
start wearing purple
Am
start wearing purple wearing purple
E7
start wearing purple for me now
E7
all your sanity and wits they will all vanish
Am
i promise , it’s just a matter of time
so yeah
Am
start wearing purple wearing purple
E7
start wearing purple for me now
all your sanity and wits they will all vanish
Am
i promise , it’s just a matter of time
Am
i met you when you were a twenty , and i was twenty
E7
and thought that some years from now
E7
a purple little little lady will be perfect
Am
for dirty old and useless clown
so yeah
Am
start wearing purple wearing purple
E7
start wearing purple for me now
E7
all your sanity and wits they will all vanish
Am
i promise , it’s just a matter of time
Am
so yeah , i know it all from diogenes to the foucault
E7
from lozgechkin to passepartout
E7
i ja kljanus obostzav dva paltza
Am
schto ti ha schto muzika poshla a zvuk gavno
Am
start wearing purple wearing purple
E7
start wearing purple for me now
start wearing purple for me now
E7
all your sanity and wits they will all vanish
Am
i promise , it’s just a matter of time
Am E7
so vio – vio – violetta etta va – va – va – vaja dama ti moja
Am
eh podayte nam karetu , vot etu , i mi poedem k ebenjam
Am
so yeah , ah start wearing purple wearing purple
E7
start wearing purple for me now
E7
all your sanity and wits , they will all vanish
Am
i promise , it’s just a matter of time
“think locally fxxk globally”
still trying to tab if you figure it out tell me!!!!!!!!!!!
riley_rousseau_allen@yahoo . com
underdog world strike
still tring to tab if you figure it out tell me!!!!!!!!!!!
illumination
verse :
Am Am
don’t believe them for a moment
Dm E
for a second , do not believe , my friend
Am Am Dm
when you are down , them are not coming
E Am
with a helping hand
Am Dm
of course this is no us and them
E ( play like intro ) Am Am
but them they do not think the same
Dm E
it’s them who do not think
chorus : the strumming is more casual here but the same chords
Am Dm E
they never step on spiritual path
Am Dm E
they paint their faces so differently from ours
Am Dm
and if you listen closely
E Am ( in intro rhythm ) Am Dm
that war it never stops
E
that war it never stops
santa marinella
F# h
o solnce santa marinelly ,
F#
izlizannyi toboyu ,
A
ya poluchal ne raz , tai – da – rida
F#
v posolstvah s – sh – a otkaz
tam nedaleko ot rima
est gorod palestrina
zvezda pereferii , vsja v maslinah ,
stala nasha malina
o mama palestrina , vstrechajte pyanih pilligrimov ,
bez prava na vyezd , bez vizy na vdoh , bez vizy na vidoh
ya vzmolilsa “che cazzo! io porca madonna!”
gde tletvorniy pod’ezd , ili etot ot’ezd delo musoroprovod
A G F#m
solo perche ti amo mia madre ah! crescendo paranoia .
A G F#
solo perche ti amo mia madre ah! porca madonna .
F#
my obliko russo amorale
F#
chest’ raspizdoto my ne zamarali
A
da uno da due
G F#
da uno da stronzo puttana
na americana ( bazar takoi v rime ) vse v rjad stoyali ( uno mille lire )
poeti , yuristi , mediki – vse farzovoi stali
hohlomu – samovari ( redkost – tovari )
vse fuflo tolkali ( krutiye navari )
no drug pered drugom vsezh svoi otjezd opravdali
ya na piazza navona ,
sidel , rastjagival shkavarku ,
nu , konechno , flirtoval ,
no i sem’ye pomogal
a ya na rimskoi mostovoi ,
ya lezhal , zhdal priboj , oi – oi – oi ,
ya tak prosil pit , a tut eshe etot papa ( rimskiy )
ya s detstva ego hotel zamochit
o carabinery ,
ya vam dokazival ne raz ,
chto muzikantu vo vrema kaifa
smotret nuzhno prjamo v glaz
solo perche ti amo mia madre ah! porca madonna .
solo perche ti amo mia madre ah! crescendo paranoia .
mi obliko russo amorale
chest’ raspizdoto my ne zamarali
da uno da due
da uno paranormale .
( sono emigranto )
solo perche ti amo mia madre ah . . . .
solo perche ti amo mia madre ah . . . .
da uno da due
da uno stronzo merdoso
da uno da due
da uno porca puttana
( spoken ) : prekrasnaya novost
ebut v paperdo?
ya ih – to mudohat , zamudohal mudoha
. . . la – la – la
a solnce santa marinelli
vgrizalos nam v capilljari
a nasha nadezhda spolzala po stenam , muh ne otgonjaya ,
no vot kak – to odnazhdi , ne znaju uzh kak
prishlo i nam dobro iz – za okeana
i togda , na rashodnjak .
a!
i togda na rashodnjak!
title : undestructable
band : gogol bordello
album : gypsy punks
tabber : duncan usher
intro : Em F G C
Em F
when i was younger i lived in fear
G C
that incarceration of some kind is near
Em F
i checked my head in tact with rules
G C
i nearly became a goddamn fool
Am F
but i’ve heard voices not in the head
G C
out in the air they called ahead
Am
through ripped out speakers
F
through thick and thin
G
they found a shelter
C
under my skin
F G
how many darkest moments and traps
Am
still lay ahead of us * undestructable *
F G
how many final frontiers
Am
we gonna mount
and maybe no victory laps * undestructable *
F G
but if you stepped on path of sacred art
Am
and stuck it out through thick and thin * undestructable *
F G
god knows you become one
with undestructable
intro : Em F G C
Em F
and so no longer live i in fear
G C
them are too greedy to pay my asylum bills
Em F
this is my life and freedom is my profession
G C
this is my mission throughout all flight duration
Am F
there is a core and it’s hardcore
G C
all is hardcore when made with love
Am F
love is a voice of a savage soul
G
this savage love is
C
undestructable
F G
how many darkest moments and traps
Am
still lay ahead of us * undestructable *
F G
how many final frontiers
Am
we gonna mount
and maybe no victory laps * undestructable *
F G
but if you stepped on path of sacred art
Am
and stuck it out through thick and thin * undestructable *
F G
god knows you become one
with undestructable
intro : Em F G C
Am F G C
undestructable:x1
x2:mishto :
E – Am
Dm – Cm
Em – Bm
sha bu’et kruto blya!
sha bu’et kruto!
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