by the time i get to phoenix – glen campbell
intro :
Fmaj7/C – Gm7 * – Fmaj7 – A#maj7
Gm7 Gm7
by the time i get to phoeni
x Fmaj7/C Fmaj7/C
she’ll be risin
Gm7 Gm7
she’ll find the note i left hangin
Fmaj7/C Fmaj7/C
on her door
A#maj7 C9
she’ll laugh when she reads the part
Am7 Dm
that say i’m leaving
Gm7 D# C7
cause i’ve left that girl so many times be – fore
Gm7 Gm7
by the time i make albu – querque
Fmaj7/C Fmaj7/C
she’ll be workin
Gm7 Gm7
she’ll probably stop at lunch
Fmaj7/C Fmaj7/C
and give me a call
A#maj7 C9
but she’ll just hear that phone
Am7 Dm
keep on ringin
Gm7 Gm7
off the wall
D# C7
that’s all
Gm7 Gm7
by the time i make okla – homa
Fmaj7/C Fmaj7/C
she’ll be sleepin
Gm7 Gm7
she’ll turn softly
Fmaj7/C Fmaj7/C
and call my name out low
A#maj7 C9
and she’ll cry just to think
Am7 Dm
i’d really leave her
Gm7 C7
but time and time i’ve tried
Fmaj7/C * A#maj7
to tell her so
Gm7 A7
she just didn’t know
D D6 – D
i would really go
outro :
D7sus2 – D13sus2 – D7sus2 – D – D6 – D repeat + fade
Fmaj7/C x33210
Gm7 * 35333
xbbmaj7 x13231
Gm7 353333
C9 x32333
Am7 x02013
D# x68886
C7 x35353
A7 x02020
D x57775
D6 x57777
D7sus2 x57555
D13sus2 x57557
the Fmaj7/C can be preceded by an E | – 1/ bass note , except Fmaj7/C *
by the time i get to phoenix – glen campbell
intro :
Fmaj7/C – Gm7 * – Fmaj7 – A#maj7
Gm7 Gm7
by the time i get to phoeni
x Fmaj7/C Fmaj7/C
she’ll be risin
Gm7 Gm7
she’ll find the note i left hangin
Fmaj7/C Fmaj7/C
on her door
A#maj7 C9
she’ll laugh when she reads the part
Am7 Dm
that say i’m leaving
Gm7 D# C7
cause i’ve left that girl so many times be – fore
Gm7 Gm7
by the time i make albu – querque
Fmaj7/C Fmaj7/C
she’ll be workin
Gm7 Gm7
she’ll probably stop at lunch
Fmaj7/C Fmaj7/C
and give me a call
A#maj7 C9
but she’ll just hear that phone
Am7 Dm
keep on ringin
Gm7 Gm7
off the wall
D# C7
that’s all
Gm7 Gm7
by the time i make okla – homa
Fmaj7/C Fmaj7/C
she’ll be sleepin
Gm7 Gm7
she’ll turn softly
Fmaj7/C Fmaj7/C
and call my name out low
A#maj7 C9
and she’ll cry just to think
Am7 Dm
i’d really leave her
Gm7 C7
but time and time i’ve tried
Fmaj7/C * A#maj7
to tell her so
Gm7 A7
she just didn’t know
D D6 – D
i would really go
outro :
D7sus2 – D13sus2 – D7sus2 – D – D6 – D repeat + fade
Fmaj7/C x33210
Gm7 * 35333
xbbmaj7 x13231
Gm7 353333
C9 x32333
Am7 x02013
D# x68886
C7 x35353
A7 x02020
D x57775
D6 x57777
D7sus2 x57555
D13sus2 x57557
the Fmaj7/C can be preceded by an E | – 1/ bass note , except Fmaj7/C *
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