intro : Am Am/G# Am/G Am/F#
F E Am D/F# G ( sus )
some things you never get used to , even though you’re feeling like another man
Bm D E
there’s nothing that he can do for you , to shut me away as you walk through
Am – Am/C D Am – Am/C D
lovers laughing in their amateur hour , holding hands in the corridors of power
Am – Am/C F E
even though i’m with somebody else right now
A – A/G F#m D E D E
high fidelity , can you hear me? can you hear me? can you hear me?
A – A/G F#m D E F G
high fidelity , can you hear me? can you hear me? can you hear me?
C C
there’s a new kind of dedication , maybe you’ll find it down the tunnel
C C
maybe i got above my station , maybe you’re only changing channels
F E Am D/F# G ( sus )
even though you’re nowhere near me , and i know you kiss him so sincerely now
Bm D E
even though the signal’s indistinct , and you worry what silly people think
Am – Am/C D Am – Am/C D
who just can’t wait to feel so frozen out , i bet he thinks that he was chosen out
Am – Am/C F E
out of millions , i suppose he’ll never know about
A – A/G F#m D E D E
high fidelity , can you hear me? can you hear me? can you hear me?
A – A/G F#m D E F G
high fidelity , can you hear me? can you hear me? can you hear me?
F G F G F G
can you hear me?
* * note – the intro really goes back and forth between an Am and Asus4 for each
bass note , but with it’s going to be hard with the moving bass notes .
intro : Am Am/G# Am/G Am/F#
F E Am D/F# G ( sus )
some things you never get used to , even though you’re feeling like another man
Bm D E
there’s nothing that he can do for you , to shut me away as you walk through
Am – Am/C D Am – Am/C D
lovers laughing in their amateur hour , holding hands in the corridors of power
Am – Am/C F E
even though i’m with somebody else right now
A – A/G F#m D E D E
high fidelity , can you hear me? can you hear me? can you hear me?
A – A/G F#m D E F G
high fidelity , can you hear me? can you hear me? can you hear me?
C C
there’s a new kind of dedication , maybe you’ll find it down the tunnel
C C
maybe i got above my station , maybe you’re only changing channels
F E Am D/F# G ( sus )
even though you’re nowhere near me , and i know you kiss him so sincerely now
Bm D E
even though the signal’s indistinct , and you worry what silly people think
Am – Am/C D Am – Am/C D
who just can’t wait to feel so frozen out , i bet he thinks that he was chosen out
Am – Am/C F E
out of millions , i suppose he’ll never know about
A – A/G F#m D E D E
high fidelity , can you hear me? can you hear me? can you hear me?
A – A/G F#m D E F G
high fidelity , can you hear me? can you hear me? can you hear me?
F G F G F G
can you hear me?
* * note – the intro really goes back and forth between an Am and Asus4 for each
bass note , but with it’s going to be hard with the moving bass notes .
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