all these strangers
. . . . . . . . . . . . . . . . . . . G . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C
“mistreat me darling and i might just disappear”
. . . . . . . . . D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . G
upon freighter running dark out of algiers
. . . . . . F . . . . . E . . . . . . . . . . . . F . . . . . . . . . . . . . . . E
put tiny grains in children’s tears
. . . . . . . . . . . . . . . . . . . . Am . . . . . . . . . . . . . . . . . . . . C
while taking 25% of all the flashbulbs and mementoes
. . . . . . . . . . . . . . . . D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . G
from the mechanized divisions rolling over your frontiers
i saw my baby talking to a man today
speaking softly in a confidential way
i saw a shadow pull his glove off
as a bluebird flew over
life’s is no pleasure
when you doubt the one you love
who are all these strangers?
. . . . . . . . . . . D# . . . A# . . . . . . . . . D#
i never will go back again
. . . . . G . . . . . . . . . . . . . . . . . . . . C
go back into the past
. . . . . . . G . . . . . . . . . . . . . . . . . . . . C
the flood is rising fast
D# . . . . . . . . . . . . . . . . . . . . . . . . . A# . . . . . . . . . . . . . . . . . . . . . . . . D#
you can break your window and look down
. . . Am
into a muddy glass
. . . . . C . . . . . . . . . . . . . . . . . . . . . . . . D
it’s mirror or lens to burn
all these strangers
. . . . . . . . . . . . . . . . . . . G . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C
“mistreat me darling and i might just disappear”
. . . . . . . . . D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . G
upon freighter running dark out of algiers
. . . . . . F . . . . . E . . . . . . . . . . . . F . . . . . . . . . . . . . . . E
put tiny grains in children’s tears
. . . . . . . . . . . . . . . . . . . . Am . . . . . . . . . . . . . . . . . . . . C
while taking 25% of all the flashbulbs and mementoes
. . . . . . . . . . . . . . . . D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . G
from the mechanized divisions rolling over your frontiers
i saw my baby talking to a man today
speaking softly in a confidential way
i saw a shadow pull his glove off
as a bluebird flew over
life’s is no pleasure
when you doubt the one you love
who are all these strangers?
. . . . . . . . . . . D# . . . A# . . . . . . . . . D#
i never will go back again
. . . . . G . . . . . . . . . . . . . . . . . . . . C
go back into the past
. . . . . . . G . . . . . . . . . . . . . . . . . . . . C
the flood is rising fast
D# . . . . . . . . . . . . . . . . . . . . . . . . . A# . . . . . . . . . . . . . . . . . . . . . . . . D#
you can break your window and look down
. . . Am
into a muddy glass
. . . . . C . . . . . . . . . . . . . . . . . . . . . . . . D
it’s mirror or lens to burn
