first verse :
Bm D G E
synapse to synapse : the possibility’s thin .
Bm D G E
i’m dressed up for free drinks and family greetings
Bm D G E
on your wedding , your wedding , your wedding date .
Bm D G E Bm D G E Bm D A E
the figures in plastic on the wedding cake that i took were so real .
Bm D G E
and i kept distance : the complications cloud
Bm D G E
the postcards and blips through fiber optics ,
Bm D G E
as the girls with pigtails were running from little
Bm D G E Bm D G E
boys wearing bow ties their parents bought them : “i’ll catch
Bm D G E
you this time!”
chorus :
F# E Bm D G E
crashing through the parlor doors , what was your first reaction?
F# E
screaming , drunk , disorderly : i’ll tell you mine .
Bm D G E Bm D G E
you were the one , but i can’t spit it out when the date’s been set .
Bm D G E Bm D G E
the white routine to be ingested inaccurately .
second verse :
Bm D G E
synapse to synapse : the sneaky kids had attached
Bm D G E
beer cans to the bumper so they could drive
Bm D G E
up and down the main drag .
Bm D G E
people would turn to see who’s making the racket .
Bm D G E
it’s not
Bm D G E
the first time .
Bm D G E
when they lay down the fish will swim upstream
Bm D G E
and i’ll contest , but they won’t listen
Bm D G E
when the casualty rate’s near 100% ,
Bm D G E B D G E Bm D G E
and there isn’t a pension for second best or for hard – – – – – ly moving . . .
chorus :
F# E Bm D G E
crashing through the parlor doors , what was your first reaction?
F# E
screaming , drunk , disorderly : i’ll tell you mine .
Bm D G E Bm D G E
you were the one , but i can’t spit it out when the date’s been set .
Bm D G E Bm D G E
the white routine to be ingested inaccurately .
Bm D G E Bm D G E
you were the one , but i can’t spit it out when the date’s been set .
Bm D G E Bm D G E
the white routine to be ingested inaccurately .
first verse :
Bm D G E
synapse to synapse : the possibility’s thin .
Bm D G E
i’m dressed up for free drinks and family greetings
Bm D G E
on your wedding , your wedding , your wedding date .
Bm D G E Bm D G E Bm D A E
the figures in plastic on the wedding cake that i took were so real .
Bm D G E
and i kept distance : the complications cloud
Bm D G E
the postcards and blips through fiber optics ,
Bm D G E
as the girls with pigtails were running from little
Bm D G E Bm D G E
boys wearing bow ties their parents bought them : “i’ll catch
Bm D G E
you this time!”
chorus :
F# E Bm D G E
crashing through the parlor doors , what was your first reaction?
F# E
screaming , drunk , disorderly : i’ll tell you mine .
Bm D G E Bm D G E
you were the one , but i can’t spit it out when the date’s been set .
Bm D G E Bm D G E
the white routine to be ingested inaccurately .
second verse :
Bm D G E
synapse to synapse : the sneaky kids had attached
Bm D G E
beer cans to the bumper so they could drive
Bm D G E
up and down the main drag .
Bm D G E
people would turn to see who’s making the racket .
Bm D G E
it’s not
Bm D G E
the first time .
Bm D G E
when they lay down the fish will swim upstream
Bm D G E
and i’ll contest , but they won’t listen
Bm D G E
when the casualty rate’s near 100% ,
Bm D G E B D G E Bm D G E
and there isn’t a pension for second best or for hard – – – – – ly moving . . .
chorus :
F# E Bm D G E
crashing through the parlor doors , what was your first reaction?
F# E
screaming , drunk , disorderly : i’ll tell you mine .
Bm D G E Bm D G E
you were the one , but i can’t spit it out when the date’s been set .
Bm D G E Bm D G E
the white routine to be ingested inaccurately .
Bm D G E Bm D G E
you were the one , but i can’t spit it out when the date’s been set .
Bm D G E Bm D G E
the white routine to be ingested inaccurately .
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