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Death Cab for Cutie - Brothers On A Hotel Bed

– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
brothers on a hotel bed – death cab for cutie
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
tabbed by : xadiorider
xemail : sk82x4@gmail . com

tuning : half step down ( although not 100% necessary , the G#maj7 chords play
better if it is )

now , when this is played with a piano , like in the acoustic version , its
completely different .
the G#maj7 is held out mostly with a little variation .
but the below assumes youre just playing the actual rhythym on guitar .

i have listed some timing . when using it , there are no pauses ,
just count even and steady with no pauses
1 , 2 , 3 , 4 , 1 , 2 , 3 , 1 , 1 , 2 , 3 , 4 . . . etc .

chords used :
G#maj7 G#maj7 ( ii ) G#maj7 ( no 3rd ) Cm7 Cm D# A# B
D# – – 4 – – – – – – – – – – – – – 4 – – – – – – – – – – – – 4 – – – – – – – – – – – – 4 – – – – 4 – – 4 – – – 2 – – – 3 – – – |
A# – – 5 – – – – – – – – – – – – – 5 – – – – – – – – – – – – 5 – – – – – – – – – – – – 5 – – – – 5 – – 5 – – – 4 – – – 5 – – – |
F# – – 6 – – – – – – – – – – – – – 6 – – – – – – – – – – – – 4 – – – – – – – – – – – – 4 – – – – 6 – – 4 – – – 4 – – – 5 – – – |
C# – – 7 – – – – – – – – – – – – – 6 – – – – – – – – – – – – 7 – – – – – – – – – – – – 6 – – – – 6 – – 6 – – – 4 – – – 5 – – – |
G# – – 0 – – – – – – – – – – – – – 0 – – – – – – – – – – – – 0 – – – – – – – – – – – – 4 – – – – 4 – – 7 – – – 2 – – – 3 – – – |
D# – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |

timing is listed here also , strum once on the numbers in parentheses , and count

intro :
( 1 ) , 2 , 3 , 4 ( 1 ) , 2 ( 3 ) , 4 ( 1 ) , 2 , 3 , 4 , 1 , 2 , 3 , 4
G#maj7 , Cm7 , D# , G#maj7 ( ii )

( 1 ) , 2 , 3 , 4 ( 1 ) , 2 ( 3 ) , 4 ( 1 ) , 2 , 3 , 4 , 1 , 2 , 3 , 4
G#maj7 , Cm7 , D# , G#maj7 ( ii )

( 1 ) , 2 , 3 , 4 ( 1 ) , 2 ( 3 ) , 4 ( 1 ) , 2 , 3 , 4 , 1 , 2 , 3 , 4
G#maj7 , Cm7 , D# , G#maj7 ( ii )

( 1 ) , 2 , 3 , 4 ( 1 ) , 2 ( 3 ) , 4 ( 1 ) , 2 , 3 , 4 ( 1 ) , 2 , 3 , 4
G#maj7 , Cm7 , D# , G#maj7 ( ii ) A#

( 1 ) , 2 , 3 , 4 ( 1 ) , 2 , 3 , 4 , 1 , 2 , 3 , 4 ( 1 ) , 2 , 3 , 4 ( 1 ) , 2 , 3 ( 4 ) ( 1 ) . . . . .
A# B Cm Cm7 Cm G#maj7 . .

the intro leads straight into the below which is double the speed of intro .
you can choose to drop the G#maj7 ( no 3rd ) if you want and just continue the
G#maj7 chord as A 4th beat .
i dont have the strumming pattern listed , just the timing .

play this twice :
________________________________________
| 1 , 2 , 3 , 4 , 1 , 2 , 3 , 4 | 1 , 2 , 3 , 4 1 , 2 , 3 , 4 |
| G#maj7 G#maj7 | Cm7 D# |
| _______________ ( no_3rd ) | ________________ |
________________________________________________
| 1 , 2 , 3 , 4 , 1 , 2 , 3 , 4 | 1 , 2 , 3 , 4 , 1 , 2 , 3 , 4 |
| G#maj7 ( ii ) G#maj7 | G#maj7 ( ii ) G#maj7 |
| _______________ ( no 3rd ) | _______________ ( no 3rd ) _ |

now the verses/Chorus is played mostly the same as above , but for sake of ease
i will leave out the G#maj7 ( no 3rd ) below

G#maj7 Cm7
you may tire of me ,
D# G#maj7 ( ii )
as our december sun is setting ,

because i’m not who i used to be . . .

G#maj7 Cm7
no longer easy on the eyes
D# G#maj7 ( ii )
but these wrinkles masterfully disguise ,
A#
the youthful boy below . . .

G#maj7 Cm7
who turned your way and saw
D# G#maj7 ( ii )
something he was not looking for :

both a beginning and an end . . .

G#maj7 Cm7
but now he lives inside
D# G#maj7 ( ii )
someone he does not recognize ,
A# G#maj7 ( ii )
when he catches his reflection on accident

G#maj7 , Cm7 , D# , G#maj7 ( ii )

verse 2

G#maj7 Cm7
on the back of a motor bike
D# G#maj7 ( ii )
with your arms outstretched trying to take flight

leaving everything behind

G#maj7 Cm7
but even at our swiftest speed
D# G#maj7 ( ii )
we couldn’t break from the concrete
A#
in the city where we still reside . . .

G#maj7 Cm7
and i have learned
D# G#maj7 ( ii )
that even landlocked lovers yearn

for the sea like navy men . . .

G#maj7 Cm7
cause now we say goodnight
D# G#maj7 ( ii )
from our own separate sides ,
A# D#
like brothers on a hotel bed . . .
G#maj7 ( ii ) D#
like brothers on a hotel bed . . . .
G#maj7 ( ii ) D#
like brothers on a hotel bed . . .
G#maj7 ( ii ) D# A#
like brothers on a hotel bed . . .

G#maj7 , Cm7 , D# , G#maj7 ( ii )
G#maj7 , Cm7 , D# , G#maj7 ( ii )

end

G#maj7 Cm7
you may tire of me ,
D# G#maj7 ( ii )
as our december sun is setting ,

cause i’m not who i used to be

– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
brothers on a hotel bed – death cab for cutie
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
tabbed by : xadiorider
xemail : sk82x4@gmail . com

tuning : half step down ( although not 100% necessary , the G#maj7 chords play
better if it is )

now , when this is played with a piano , like in the acoustic version , its
completely different .
the G#maj7 is held out mostly with a little variation .
but the below assumes youre just playing the actual rhythym on guitar .

i have listed some timing . when using it , there are no pauses ,
just count even and steady with no pauses
1 , 2 , 3 , 4 , 1 , 2 , 3 , 1 , 1 , 2 , 3 , 4 . . . etc .

chords used :
G#maj7 G#maj7 ( ii ) G#maj7 ( no 3rd ) Cm7 Cm D# A# B
D# – – 4 – – – – – – – – – – – – – 4 – – – – – – – – – – – – 4 – – – – – – – – – – – – 4 – – – – 4 – – 4 – – – 2 – – – 3 – – – |
A# – – 5 – – – – – – – – – – – – – 5 – – – – – – – – – – – – 5 – – – – – – – – – – – – 5 – – – – 5 – – 5 – – – 4 – – – 5 – – – |
F# – – 6 – – – – – – – – – – – – – 6 – – – – – – – – – – – – 4 – – – – – – – – – – – – 4 – – – – 6 – – 4 – – – 4 – – – 5 – – – |
C# – – 7 – – – – – – – – – – – – – 6 – – – – – – – – – – – – 7 – – – – – – – – – – – – 6 – – – – 6 – – 6 – – – 4 – – – 5 – – – |
G# – – 0 – – – – – – – – – – – – – 0 – – – – – – – – – – – – 0 – – – – – – – – – – – – 4 – – – – 4 – – 7 – – – 2 – – – 3 – – – |
D# – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |

timing is listed here also , strum once on the numbers in parentheses , and count

intro :
( 1 ) , 2 , 3 , 4 ( 1 ) , 2 ( 3 ) , 4 ( 1 ) , 2 , 3 , 4 , 1 , 2 , 3 , 4
G#maj7 , Cm7 , D# , G#maj7 ( ii )

( 1 ) , 2 , 3 , 4 ( 1 ) , 2 ( 3 ) , 4 ( 1 ) , 2 , 3 , 4 , 1 , 2 , 3 , 4
G#maj7 , Cm7 , D# , G#maj7 ( ii )

( 1 ) , 2 , 3 , 4 ( 1 ) , 2 ( 3 ) , 4 ( 1 ) , 2 , 3 , 4 , 1 , 2 , 3 , 4
G#maj7 , Cm7 , D# , G#maj7 ( ii )

( 1 ) , 2 , 3 , 4 ( 1 ) , 2 ( 3 ) , 4 ( 1 ) , 2 , 3 , 4 ( 1 ) , 2 , 3 , 4
G#maj7 , Cm7 , D# , G#maj7 ( ii ) A#

( 1 ) , 2 , 3 , 4 ( 1 ) , 2 , 3 , 4 , 1 , 2 , 3 , 4 ( 1 ) , 2 , 3 , 4 ( 1 ) , 2 , 3 ( 4 ) ( 1 ) . . . . .
A# B Cm Cm7 Cm G#maj7 . .

the intro leads straight into the below which is double the speed of intro .
you can choose to drop the G#maj7 ( no 3rd ) if you want and just continue the
G#maj7 chord as A 4th beat .
i dont have the strumming pattern listed , just the timing .

play this twice :
________________________________________
| 1 , 2 , 3 , 4 , 1 , 2 , 3 , 4 | 1 , 2 , 3 , 4 1 , 2 , 3 , 4 |
| G#maj7 G#maj7 | Cm7 D# |
| _______________ ( no_3rd ) | ________________ |
________________________________________________
| 1 , 2 , 3 , 4 , 1 , 2 , 3 , 4 | 1 , 2 , 3 , 4 , 1 , 2 , 3 , 4 |
| G#maj7 ( ii ) G#maj7 | G#maj7 ( ii ) G#maj7 |
| _______________ ( no 3rd ) | _______________ ( no 3rd ) _ |

now the verses/Chorus is played mostly the same as above , but for sake of ease
i will leave out the G#maj7 ( no 3rd ) below

G#maj7 Cm7
you may tire of me ,
D# G#maj7 ( ii )
as our december sun is setting ,

because i’m not who i used to be . . .

G#maj7 Cm7
no longer easy on the eyes
D# G#maj7 ( ii )
but these wrinkles masterfully disguise ,
A#
the youthful boy below . . .

G#maj7 Cm7
who turned your way and saw
D# G#maj7 ( ii )
something he was not looking for :

both a beginning and an end . . .

G#maj7 Cm7
but now he lives inside
D# G#maj7 ( ii )
someone he does not recognize ,
A# G#maj7 ( ii )
when he catches his reflection on accident

G#maj7 , Cm7 , D# , G#maj7 ( ii )

verse 2

G#maj7 Cm7
on the back of a motor bike
D# G#maj7 ( ii )
with your arms outstretched trying to take flight

leaving everything behind

G#maj7 Cm7
but even at our swiftest speed
D# G#maj7 ( ii )
we couldn’t break from the concrete
A#
in the city where we still reside . . .

G#maj7 Cm7
and i have learned
D# G#maj7 ( ii )
that even landlocked lovers yearn

for the sea like navy men . . .

G#maj7 Cm7
cause now we say goodnight
D# G#maj7 ( ii )
from our own separate sides ,
A# D#
like brothers on a hotel bed . . .
G#maj7 ( ii ) D#
like brothers on a hotel bed . . . .
G#maj7 ( ii ) D#
like brothers on a hotel bed . . .
G#maj7 ( ii ) D# A#
like brothers on a hotel bed . . .

G#maj7 , Cm7 , D# , G#maj7 ( ii )
G#maj7 , Cm7 , D# , G#maj7 ( ii )

end

G#maj7 Cm7
you may tire of me ,
D# G#maj7 ( ii )
as our december sun is setting ,

cause i’m not who i used to be

DISCLAIMER :
Lirik dan Arrangment Lagu dari Death Cab for Cutie merupakan hak cipta/milik pengarang, pengubah, artis (Death Cab for Cutie) serta label (publisher) musik yang bersangkutan. Semua properti Lagu serta Lirik yang di tulis di chordla.com ini semata-mata hanya untuk keperluan media edukasi dan hiburan serta turut mempromosikan karya Death Cab for Cutie.
Jangan lupa untuk selalu membeli CD ORIGINAL serta SUBCRIBE CHANNEL dari Death Cab for Cutie untuk mendukung mereka agar tetap berkarya.
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