Gm D#
it’s like an all access pass . .
A# F
and you get excited so fast . .
Gm D#
but how come that feeling don’t last . .
A# F
never last . .
Gm D#
i never know when enough is enough
A# F
it’s like i can’t ever give too much . .
Gm D# A# F
so if it all looks like gold . .
reff :
Gm D#
when you look at my stories . .
A# F
you only see part of me . .
Gm D#
when you see my face . .
A#
you’re only seeing
F
what i want you to see . .
Gm
and there’s a whole side of me . .
D#
that’s inside of me . .
A# F
that i don’t need the world to know . .
Gm D#
so this is my way . .
A# F
of letting you get close . .
( Gm )
through my stories . .
int . Gm D# A# F
Gm D# A# F
Gm D#
everyone that you see . .
A# F
isn’t really that close to me . . no
Gm D#
we’re just playing make believe . .
( we’re just playing make believe )
A# F
till we leave . .
Gm D#
smiles are the biggest lies ever told . .
A# F
but this is the only life that i know . .
Gm D# A# F
so if it all looks like gold . .
reff :
Gm D#
when you look at my stories . .
A# F
you only see part of me . .
Gm D#
when you see my face . .
A#
you’re only seeing
F
what i want you to see . .
Gm
and there’s a whole side of me . .
D#
that’s inside of me . .
A# F
that i don’t need the world to know . .
Gm D#
so this is my way . .
A# F
of letting you get close . .
( Gm )
through my stories . .
int . Gm D# A# F
Gm D# A# F
through my stories . .
Cm Gm A# F
oh . . oh . .
Cm Gm F
oh . . oh . . oh oh . .
[ spoke bridge ]
it’s easy to think you know someone
when all you see is the yellow
and they never show you the blue
reff :
Gm D#
when you look at my stories . .
A# F
you only see part of me . .
Gm D#
when you see my face . .
A#
you’re only seeing
F
what i want you to see . .
Gm
and there’s a whole side of me . .
D#
that’s inside of me . .
A# F
that i don’t need the world to know . .
Gm D#
so this is my way . .
A# F
of letting you get close . .
outro :
Gm D#
when you look at my stories . .
A# F
you only see part of me . .
Gm D#
when you see my face . .
A#
you’re only seeing
F Gm
what i want you to see . .
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