– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
mr . gallo by cat power
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
from her 1995 debut , ’dear sir’ . there really is only one chord being used here , and
it’s arpeggiated . she plays around with the notes in A Cmaj7 and then just plays the a root
note and the surrounding strings . the first note plucked at the beginning is just A C
root note ( a string , 3rd fret ) , and she then goes into playing Cmaj7 and alternates between
that and the a root . she also plays several open notes , particularly the G and B string .
instead of bothering to tab it all out , i’ve just charted her hand formations for you .
it’s simple enough that listening to the song should provide you enough to figure out
the pattern she has with the picking . simply put : get down the pattern of her Cmaj7 arpeggio ,
and lift your finger off the a string and continue to play the same pattern .
tabbed by : scott h .
tuning : standard
chords used :
Cmaj7 A ( root note )
E | – – – – – – – – – – – – – – – – – – – – – |
B | – – – 0 – – – – – – – – – – – 0 – – – – – |
G | – – – 0 – – – – – – – – – – – 0 – – – – – |
D | – – – 2 – – – – – – – – – – – 2 – – – – – |
A | – – – 3 – – – – – – – – – – – 0 – – – – – |
E | – – – – – – – – – – – – – – – – – – – – – |
Cmaj7 A
oh , mr . gallo
Cmaj7
what a good friend
A
we both know the game
Cmaj7 A
oh , mr . gallo
Cmaj7
what a good frame
A
your close lover has
Cmaj7 A
oh , chan , what a woman you’ve become
Cmaj7 A
cannot say i never thought you’d look me in the eyes
Cmaj7 A
oh , and what a lover you’ve become
Cmaj7 A
can i say i always thought you were a liar?
Cmaj7 A
oh , you say , what a laugh you have
Cmaj7 A
cannot say i never thought i had anything funny
Cmaj7 A Cmaj7
oh , and what a charmer you’ve become , mr . gallo
A Cmaj7
not full of hate
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
mr . gallo by cat power
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
from her 1995 debut , ’dear sir’ . there really is only one chord being used here , and
it’s arpeggiated . she plays around with the notes in A Cmaj7 and then just plays the a root
note and the surrounding strings . the first note plucked at the beginning is just A C
root note ( a string , 3rd fret ) , and she then goes into playing Cmaj7 and alternates between
that and the a root . she also plays several open notes , particularly the G and B string .
instead of bothering to tab it all out , i’ve just charted her hand formations for you .
it’s simple enough that listening to the song should provide you enough to figure out
the pattern she has with the picking . simply put : get down the pattern of her Cmaj7 arpeggio ,
and lift your finger off the a string and continue to play the same pattern .
tabbed by : scott h .
tuning : standard
chords used :
Cmaj7 A ( root note )
E | – – – – – – – – – – – – – – – – – – – – – |
B | – – – 0 – – – – – – – – – – – 0 – – – – – |
G | – – – 0 – – – – – – – – – – – 0 – – – – – |
D | – – – 2 – – – – – – – – – – – 2 – – – – – |
A | – – – 3 – – – – – – – – – – – 0 – – – – – |
E | – – – – – – – – – – – – – – – – – – – – – |
Cmaj7 A
oh , mr . gallo
Cmaj7
what a good friend
A
we both know the game
Cmaj7 A
oh , mr . gallo
Cmaj7
what a good frame
A
your close lover has
Cmaj7 A
oh , chan , what a woman you’ve become
Cmaj7 A
cannot say i never thought you’d look me in the eyes
Cmaj7 A
oh , and what a lover you’ve become
Cmaj7 A
can i say i always thought you were a liar?
Cmaj7 A
oh , you say , what a laugh you have
Cmaj7 A
cannot say i never thought i had anything funny
Cmaj7 A Cmaj7
oh , and what a charmer you’ve become , mr . gallo
A Cmaj7
not full of hate
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