all power chords :
B F# G# eii Em
G | – 4 – ( 3 ) – – – – 9 – – – – – | ( optional )
D | – 4 – – 4 – – 6 – – 9 – – – 2 – |
A | – 2 – – 4 – – 6 – – 7 – – – 2 – |
E | – – – – 2 – – 4 – – – – – – 0 – |
B F# G# eii
did you . . . intimidate her? . . . her mother says you wouldn’t let her use the phone , or were you
B F# G# Em
. . . intoxicated , . . . past the point of knowing what was going on
B F# G# Em
better yet , don’t forget leave the keys on the t . v . set , hoping you’re gone from the corner bar
B F# G# Em
here we are after dark , knocking back the makers mark , scrounging up the dollars from my buddy’s
car , and
B F# G# Em B F# G# Em B . . .
. . . lean on – – sheena , she leans on me a lot , . . . hold on – – – , hold on , hold on to what you’ve got
F# G# eii
intimidate her , . . . how’d you make her feel , worse than she did before? and i heard you ,
B F# G# Em
. . . came back later , . . . had the upstairs neighbors , . . . banging on the floor
B F# G# Em
better yet , don’t forget leave the keys on the t . v . set , hoping you’re gone from the corner bar
B F# G# Em
here we are after dark , knocking back the makers mark , scrounging up the dollars from my buddy’s
car , and
B F# G# Em B F# G# Em B . . .
. . . lean on – – sheena , she leans on me a lot , . . . hold on – – – , hold on , hold on to what you’ve got
F# G# Em
. . . . hold on to what you’ve got , . . . . . . . . . . . . . .
B F# G# eii
. . . intimidate her , . . . her mother said you wouldn’t let her use the phone , were you
B F# G# Em
. . . intoxicated , . . . past the point of knowing what was going on
B F# G# Em
better yet , don’t forget leave the keys on the t . v . set , hoping you’re gone from the corner bar
B F# G# Em
here we are after dark , knocking back the makers mark , scrounging up the dollars from my buddy’s
car , and
B F# G# Em B F# G# Em B . . .
. . . lean on – – sheena , she leans on me a lot , . . . hold on – – – , hold on , hold on to what you’ve got
. . . lean on – – sheena , she leans on me a lot , . . . hold on – – – , hold on , hold on to what you’ve got
F# G# Em
. . . . hold on to what you’ve got , . . . . . . . . . . . . . .
B F# G# Em
better yet , don’t forget grab your keys off the t . v . set , say goodbye to the corner bar
B F# G# Em
got a friend till the end , and she’s never coming back again , always on my mind and in my heart ,
and
B F# G# Em B F# G# Em
. . . lean on – – sheena , . . . . . . . . . . . . . . . . lean on – – sheena , . . . . . . . . . . . . .
b~ b~
. . . lean on – – sheena , she leans on me a lot , . . . hold on – – – , hold on , hold on to what you’ve got
all power chords :
B F# G# eii Em
G | – 4 – ( 3 ) – – – – 9 – – – – – | ( optional )
D | – 4 – – 4 – – 6 – – 9 – – – 2 – |
A | – 2 – – 4 – – 6 – – 7 – – – 2 – |
E | – – – – 2 – – 4 – – – – – – 0 – |
B F# G# eii
did you . . . intimidate her? . . . her mother says you wouldn’t let her use the phone , or were you
B F# G# Em
. . . intoxicated , . . . past the point of knowing what was going on
B F# G# Em
better yet , don’t forget leave the keys on the t . v . set , hoping you’re gone from the corner bar
B F# G# Em
here we are after dark , knocking back the makers mark , scrounging up the dollars from my buddy’s
car , and
B F# G# Em B F# G# Em B . . .
. . . lean on – – sheena , she leans on me a lot , . . . hold on – – – , hold on , hold on to what you’ve got
F# G# eii
intimidate her , . . . how’d you make her feel , worse than she did before? and i heard you ,
B F# G# Em
. . . came back later , . . . had the upstairs neighbors , . . . banging on the floor
B F# G# Em
better yet , don’t forget leave the keys on the t . v . set , hoping you’re gone from the corner bar
B F# G# Em
here we are after dark , knocking back the makers mark , scrounging up the dollars from my buddy’s
car , and
B F# G# Em B F# G# Em B . . .
. . . lean on – – sheena , she leans on me a lot , . . . hold on – – – , hold on , hold on to what you’ve got
F# G# Em
. . . . hold on to what you’ve got , . . . . . . . . . . . . . .
B F# G# eii
. . . intimidate her , . . . her mother said you wouldn’t let her use the phone , were you
B F# G# Em
. . . intoxicated , . . . past the point of knowing what was going on
B F# G# Em
better yet , don’t forget leave the keys on the t . v . set , hoping you’re gone from the corner bar
B F# G# Em
here we are after dark , knocking back the makers mark , scrounging up the dollars from my buddy’s
car , and
B F# G# Em B F# G# Em B . . .
. . . lean on – – sheena , she leans on me a lot , . . . hold on – – – , hold on , hold on to what you’ve got
. . . lean on – – sheena , she leans on me a lot , . . . hold on – – – , hold on , hold on to what you’ve got
F# G# Em
. . . . hold on to what you’ve got , . . . . . . . . . . . . . .
B F# G# Em
better yet , don’t forget grab your keys off the t . v . set , say goodbye to the corner bar
B F# G# Em
got a friend till the end , and she’s never coming back again , always on my mind and in my heart ,
and
B F# G# Em B F# G# Em
. . . lean on – – sheena , . . . . . . . . . . . . . . . . lean on – – sheena , . . . . . . . . . . . . .
b~ b~
. . . lean on – – sheena , she leans on me a lot , . . . hold on – – – , hold on , hold on to what you’ve got
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