ain’t complaining ( live , acoustic ) – beatsteaks ( muffenhausen )
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
tabbed by zab23
please mind , that this is the acoustic version , originally played on piano ,
but it works great on acoustic guitar too . course the piano can’t be transposed ,
but i’m a lazy keayboarder and ultimate guitar can make the job , if you want to play it on piano .
* for a detailled piano description , look below the chords .
capo 1 /transpose +1
intro :
A Am D
A E F#m
you got me one more time on the telephone
hm F#m E
i had a hard time making the call
A E F#m
what you’re dying about is drying me out
hm F#m E
and what is coming is taking control
A E F#m hm F#m E
after you laid off your medication
A E F#m hm F#m D
i ( iiii ) feel hungover , cu ( uu ) t the connection
D
ahhhhh
ref . :
A E F#m D
got no reason to communicate ahhh
A E F#m
got no reason to communicate
D E F#m
know where your story goes
D hm F#m D
nowhere but down below
ain’t no complaining
zwischenspiel
A E F#m , hm F#m E
A E F#m hm F#m E
anything near you worth the attention?
A E F#m
i cut the cord off my telephone
hm F#m E
you’re not wasting my precious time
A E F#m
what your on about is just wearing me out
hm F#m D
and i’ve been trying for too long
ref . :
A E F#m D
got no reason to communicate ahhh
A E F#m
got no reason to communicate
D E F#m
know where your story goes
D hm F#m D
nowhere but down below
ain’t no complaining
A Am D
A E F#m , hm F#m E D
ahuuu ohhhh
ref . :
A E F#m D
got no reason to communicate ahhh
A E F#m
got no reason to communicate
D E F#m
know where your story goes
D hm F#m D
nowhere but down below
ain’t no complaining
A E F#m , hm F#m E
end on A
* an ansatz of the piano version : ( originally each tone still half a step
higher ) , A2 means , it’s the octave higher version of A1 : D
intro is played right hand : left hand :
( A – chord )
C#4 A3 E3 C#4 A3 E3 C#4 A3 2x a1+a2
( Am – chord )
C4 A3 E3 C4 A3 E3 C4 A3 2x c1+c2
( D – chord )
D4 A3 F#3 D4 A3 F#3 D4 A3 2x d1+d2
right hand verse : just the normal chords
left hand verse : not really sure , but think it’s : A1 G#1 F#1 , D2 C#2 h2
( simular to the change of the chords , with a kind of appoggiatura ( vorschlagnote )
before each change )
chorus : full chords both
left hand : at :
F#m * D
[ . . . ] communicate know
play : h1 C#2
outro : right hand :
( A – chord ) ( E – chord ) ( F#m – chord )
C#4 A3 E 3 C#4 h3 G#3 E3 h3 A3 F#3 C#3 A3 A3 F#3 C#3
( hm – chord ) ( F#m – chord ) ( E – chord )
D4 h3 F#3 D4 C#4 A3 F#3 C#4 h3 G#3 E3 h3 h3 G#3 E3
left hand :
like in the normal verse
hope this gives you an idea – “if you got something to say” , a suggestion or
criticism , just write = )
ain’t complaining ( live , acoustic ) – beatsteaks ( muffenhausen )
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
tabbed by zab23
please mind , that this is the acoustic version , originally played on piano ,
but it works great on acoustic guitar too . course the piano can’t be transposed ,
but i’m a lazy keayboarder and ultimate guitar can make the job , if you want to play it on piano .
* for a detailled piano description , look below the chords .
capo 1 /transpose +1
intro :
A Am D
A E F#m
you got me one more time on the telephone
hm F#m E
i had a hard time making the call
A E F#m
what you’re dying about is drying me out
hm F#m E
and what is coming is taking control
A E F#m hm F#m E
after you laid off your medication
A E F#m hm F#m D
i ( iiii ) feel hungover , cu ( uu ) t the connection
D
ahhhhh
ref . :
A E F#m D
got no reason to communicate ahhh
A E F#m
got no reason to communicate
D E F#m
know where your story goes
D hm F#m D
nowhere but down below
ain’t no complaining
zwischenspiel
A E F#m , hm F#m E
A E F#m hm F#m E
anything near you worth the attention?
A E F#m
i cut the cord off my telephone
hm F#m E
you’re not wasting my precious time
A E F#m
what your on about is just wearing me out
hm F#m D
and i’ve been trying for too long
ref . :
A E F#m D
got no reason to communicate ahhh
A E F#m
got no reason to communicate
D E F#m
know where your story goes
D hm F#m D
nowhere but down below
ain’t no complaining
A Am D
A E F#m , hm F#m E D
ahuuu ohhhh
ref . :
A E F#m D
got no reason to communicate ahhh
A E F#m
got no reason to communicate
D E F#m
know where your story goes
D hm F#m D
nowhere but down below
ain’t no complaining
A E F#m , hm F#m E
end on A
* an ansatz of the piano version : ( originally each tone still half a step
higher ) , A2 means , it’s the octave higher version of A1 : D
intro is played right hand : left hand :
( A – chord )
C#4 A3 E3 C#4 A3 E3 C#4 A3 2x a1+a2
( Am – chord )
C4 A3 E3 C4 A3 E3 C4 A3 2x c1+c2
( D – chord )
D4 A3 F#3 D4 A3 F#3 D4 A3 2x d1+d2
right hand verse : just the normal chords
left hand verse : not really sure , but think it’s : A1 G#1 F#1 , D2 C#2 h2
( simular to the change of the chords , with a kind of appoggiatura ( vorschlagnote )
before each change )
chorus : full chords both
left hand : at :
F#m * D
[ . . . ] communicate know
play : h1 C#2
outro : right hand :
( A – chord ) ( E – chord ) ( F#m – chord )
C#4 A3 E 3 C#4 h3 G#3 E3 h3 A3 F#3 C#3 A3 A3 F#3 C#3
( hm – chord ) ( F#m – chord ) ( E – chord )
D4 h3 F#3 D4 C#4 A3 F#3 C#4 h3 G#3 E3 h3 h3 G#3 E3
left hand :
like in the normal verse
hope this gives you an idea – “if you got something to say” , a suggestion or
criticism , just write = )
Leave the comments