Alice In Chains - Breath On A Window

tuning half step down
however , all chords listed are with respect to their position in standard tuning .
does that make sense? for example , i have E for the first chord .
technically , it would be an D# because of the tuning , but the shape is that
of an E in standard tuning . . . i think anyone that finds this tab should be
able to play the song .

intro : E

verse 1 :

E
mending fence along the road
G D E
barely holding together
E
mapless zone the road signs holed
G D E
keep ahead of the weather
E
long past time to close dead eyes
G D E
find a break in the highway
E
out here i’m invisible
G D E
very few going my way

* chorus :

A E A E
breath on a window showing tic tac toe
A C G E
rear view reflecting there ain’t nobody home

verse 2 :

E
ghost town strip of misery
G D E
i ain’t feeling no better
E
road kill heart inside of me
G D E
follow it to the letter
E
sundown brings a welcome change
G D E
everything that’s hiding
E
more at home in landscapes strange
G D E
are you selling i’m buying

* chorus :

A E A E
breath on a window showing tic tac toe
A C G E
rear view reflecting there ain’t nobody home
A E A E
cigarette burn holes outline an old soul
A C G
connect the dot scribbling
E
and you would never know

bridge? : F# A A# ( use power chords )

F# A A# F# A A#
failed to head the signal
F# A A# F# A A#
thought you got through just in time ( it was hard to line these up
F# A A# F# A A# exactly with the lyrics . . . so
crashing hard upon your ego i didn’t )
F# A A# F# A A#
penetrated from the side

F# A A#

outro :

D F# E Bm
i’d let you go , but you’re always in the way
D F# C# E
i’m the damage done , your scar of yesterday

D F# E Bm
i’d love to go , but you’re always in the way
D F# C# E
i’m the damage done , your scar of yesterday .

fade out :
D F# E Bm
D F# C# E

* for the first two a chords , you can try power chords and sliding
them up a half step and back twice before playing the E to sound like
the record . the last a you can do one half step slide and then go to
the C .

picking for the bridge :
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
– – – – – – – – – – 2 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – |
– – – – – – – 4 – – – – – 4 – – – – – – – – – – – – – – – – – 7 – – – – – – – – – 8 – – – |
– – – – 4 – – – – – – – – – – – 4 – – – – – – – – – – – 7 – – – – – – – – – 8 – – – – – – |
– 2 – – – – – – – – – – – – – – – – – – – – – – – 5 – – – – – – – – – 6 – – – – – – – – – |

i figured this out on an acoustic . . . sometime i have my electric out
i’ll work on the outro solo .